The Kinks - You Really Got Me ( YT2 )

 

Istoric ( 255 )

 10.09.1964 - The Kinks ajung nr 1 cu You Really Got Me in Anglia. Jimmy Page (Led Zeppelin) canta la tamburina pe aceasta piesa.

The Kinks - Just Can't Go To Sleep ( L3 )

Every night I just can't go sleep

Every night I have to count sheep
Every night I just can't go sleep, uh huh
Without you, without you
I just can't go to sleep

Every night I feel so lonely
Longing for you, one and only
Every night I just can't go sleep, uh huh
Without you, without you
I just can't go to sleep
(No, no, no, no, no)
Yeah, I just can't go to sleep, now
(No, no, no, no, no)
Yeah, I just can't go to sleep
(No, no, no, no, no)
Yeah, without you, without you
I just can't go to sleep
To sleep

Every day you look my way,
And I want to hold you
But when nighttime comes
You're not around for me to love

Every night I just can't go sleep
Every night I have to count sheep
Every night I just can't go sleep, uh huh
Without you, without you
I just can't go to sleep
(No, no, no, no, no)
Yeah, I just can't go to sleep, now
(No, no, no, no, no)
Oh, I just can't go to sleep
(No, no, no, no, no)

The Kinks - Kinks ( D1 )

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The Kinks - You Really Got Me ( S1 )

"You Really Got Me" is a song written by Ray Davies for English rock band the Kinks. The song, originally performed in a more blues-oriented style, was inspired by artists such as Lead Belly and Big Bill Broonzy. Two versions of the song were recorded, with the second performance being used for the final single. Although it was rumoured that future Led Zeppelin guitarist Jimmy Page had performed the song's guitar solo, the myth has since been proven false.

"You Really Got Me" was built around power chords (perfect fifths and octaves) and heavily influenced later rock musicians, particularly in the genres of heavy metal and punk rock. Built around a guitar riff played by Dave Davies, the song's lyrics were described by Dave as "a love song for street kids."

"You Really Got Me" was released on 4 August 1964 as the group's third single, and reached number one on the UK singles chart the next month, remaining for two weeks. The song became the group's breakthrough hit; it established them as one of the top British Invasion acts in the United States, reaching number seven there later in the year. "You Really Got Me" was later included on the Kinks' debut album, Kinks. American rock band Van Halen adapted the song for their 1978 self-titled debut album; it was released as their first single and peaked at 36 on the Billboard Hot 100.

Single by the Kinks
B-side	"It's All Right"
Released	4 August 1964 (UK) 2 September 1964 (US)
Format	7-inch 45 rpm single
Recorded	July 1964
Studio	IBC, London
Genre	Garage rock  hard rock
Length	2:20
Label	Pye (UK) Reprise (US)
Songwriter(s)	Ray Davies
Producer(s)	Shel Talmy

The Kinks ( I1 )

The Kinks - So Mystifying ( L2 )

You know you're so mystifying
You know you're so mystifying

Well, help me, baby, get a message through
You leave my mouth wide open with the things that you do
First you say you love me, then you say that we're through
You know you're so mystifying, can't believe it's true

You know you're so mystifying
You know you're so mystifying

You know that every time I see you walking down the street
You got a mystifying wiggle from your head to your feet
You got a shock wave pulsating rhythm through my brain
You know you're so mystifying, you just ain't the same

You know you're so mystifying
You know you're so mystifying

You know you're so mystifying
You know you're so mystifying

Well, mystify me by the way that you walk
You even mystify me by the way you talk
Go from one day to the next if you'll be mine
Oh, little woman, you are so mystifying

You know you're so mystifying
You know you're so mystifying
You know you're so mystifying

The Kinks - Beautiful Delilah ( L1 )

Beautiful Delilah, sweet as apple pie
Always gets a second look from fellas passing by
Every time you see her, she's with a different guy
Beautiful Delilah, that's the reason why

Rebecca don't allow me fool around with you
You are so tantalizing, you just can't be true

Beautiful Delilah, dressed in the latest styles
Swinging like a pendulum, walking down the aisle
Sees so many guys, speaks so low and mild
One day she will marry, settle down, after a while

Rebecca don't allow me, fool around with you
You are so tantalizing, you just can't be true

Beautiful Delilah, bathing in the sun
Audience of 17, and noticed not a one
Local Casanova who wouldn't be outdone
Let her steal his heart away, she break it just for fun

Rebecca don't allow me, fool around with you
You are so tantalizing, you just can't be true

Istoric ( 118 )

15.02.1944 - s-a nascut Mick Avory – tobe – The Kinks. A murit in 1964.

The Kinks - Lola ( YT1 )

The Kinks ( B27 )

Live albums

• Live at Kelvin Hall (1967)
• One for the Road (1980)
• Live: The Road (1988)
• To the Bone (1994)

UK/US Top ten singles

• "You Really Got Me" (1964) UK & US
• "All Day and All of the Night" (1964) UK & US
• "Tired of Waiting for You" (1965) UK & US
• "Set Me Free" (1965) UK
• "See My Friends" (1965) UK
• "Till the End of the Day" (1965) UK
• "Dedicated Follower of Fashion" (1966) UK
• "Sunny Afternoon" (1966) UK
• "Dead End Street" (1966) UK
• "Waterloo Sunset" (1967) UK
• "Autumn Almanac" (1967) UK
• "Lola" (1970) UK & US
• "Apeman" (1970) UK
• "Come Dancing" (1982) US

Charts, sales certifications and recognition

The Kinks had five Top 10 singles on the US Billboard chart. Nine of their albums charted in the Top 40. In the UK, the group had seventeen Top 20 singles along with five Top 10 albums. The RIAA has certified four of the Kinks' albums as gold records. Greatest Hits!, released in 1965, was certified gold for sales of $1,000,000 on 28 November 1968—six days after the release of The Kinks Are The Village Green Preservation Society, which failed to chart worldwide. The group would not receive another gold record award until 1979's Low Budget. The 1980 live album One For The Road was certified gold on 8 December 1980. Give The People What They Want, released in 1981, received its certification on 25 January 1982, for sales of 500,000 copies. ASCAP, the performing-rights group, presented the Kinks with an award for "One of the Most Played Songs Of 1983" for the hit single "Come Dancing".

The group received the Ivor Novello Award for "Outstanding Service to British Music", and in 1990 the original four members of the Kinks were inducted into the Rock & Roll Hall of Fame. The Kinks were inducted into the UK Music Hall of Fame in November 2005.

The Kinks ( B26 )

Discography

The Kinks were active for 32 years from 1964 to 1996, releasing 28 regular albums in the UK (24 studio, four live), and 30 in the USA (24 studio, four live, two compilation). The early 1960s US albums were slightly different from the British albums partly due to the method that publishing royalties were calculated in the two countries, partly due to difference in popularity of the extended play format (popular in the UK but not in the US, so US albums had the EP releases bundled onto them), and partly due to the US albums including the hit singles, and the UK albums not; after The Kink Kontroversy in 1965 the albums were the same. There have been somewhere between 100 and 200 compilation albums released worldwide. Their hit singles include three UK number-one singles, starting in 1964 with "You Really Got Me"; plus 18 Top 40 singles in the 1960s alone and further Top 40 hits in the 1970s and 1980s.

Studio albums

• Kinks (1964)
• Kinda Kinks (1965)
• The Kink Kontroversy (1965)
• Face to Face (1966)
• Something Else by The Kinks (1967)
• The Kinks Are the Village Green Preservation Society (1968)
• Arthur (Or the Decline and Fall of the British Empire) (1969)
• Lola Versus Powerman and the Moneygoround, Part One (1970)
• Percy (soundtrack) (1971)
• Muswell Hillbillies (1971)
• Everybody's in Show-Biz (studio & live) (1972)
• Preservation Act 1 (1973)
• Preservation Act 2 (1974)
• Soap Opera (1975)
• Schoolboys in Disgrace (1975)
• Sleepwalker (1977)
• Misfits (1978)
• Low Budget (1979)
• Give the People What They Want (1981)
• State of Confusion (1983)
• Word of Mouth (1984)
• Think Visual (1986)
• UK Jive (1989)
• Phobia (1993)

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The Kinks ( B25 )

Music writers and other musicians have acknowledged the influence of the Kinks on the development of hard rock and heavy metal. Musicologist Joe Harrington stated: "'You Really Got Me', 'All Day and All of the Night' and 'I Need You' were predecessors of the whole three-chord genre... [T]he Kinks did a lot to help turn rock 'n' roll (Jerry Lee Lewis) into rock (Led Zeppelin, Black Sabbath, The Stooges)." Queen guitarist Brian May credited the band with planting "the seed which grew into riff-based music."

A musical, Sunny Afternoon, based on the early life of Ray Davies and the formation of the Kinks, opened at the Hampstead Theatre in April 2014. The musical's name came from the band's 1966 hit single "Sunny Afternoon" and features songs from the band's back catalogue.

In 2015, it was reported that Julien Temple would direct a biopic of The Kinks titled You Really Got Me, with singer-songwriter Johnny Flynn and actor George MacKay cast to play Ray and Dave Davies, respectively.

Members

• Ray Davies – lead vocals, rhythm guitar, keyboards (1964–1996)
• Dave Davies – lead guitar, backing & lead vocals (1964–1996)
• Pete Quaife – bass guitar, backing vocals (1964–1966, 1966-1969; died 2010)
• Mick Avory – drums (1964–1984)
• Bob Henrit – drums (1984–1996)
• John Dalton – bass guitar, backing vocals (1966, 1969–1976, 1978)
• Andy Pyle – bass guitar, backing vocals (1976–1978)
• Jim Rodford – bass guitar, backing vocals (1978–1996; died 2018)
• John Gosling – keyboards (1970–1978)
• Gordon John Edwards – keyboards (1978; died 2002)
• Ian Gibbons – keyboards (1979–1989, 1993–1996)
• Mark Haley – keyboards (1989–1993)

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The Kinks ( B24 )

The Kinks' allegiance to English styles was strengthened by the ban placed on them by the American Federation of Musicians. The ban cut them off from the American record buying public, the world's largest musical market, forcing them to focus on Britain and mainland Europe. The Kinks expanded on their English sound throughout the remainder of the 1960s, incorporating elements of music hall, folk, and baroque music through use of harpsichord, acoustic guitar, mellotron, and horns, and creating some of the most influential and important music of the period.

Beginning with Everybody's In Show-biz (1972), Ray Davies began exploring theatrical concepts on the group's albums; these themes became manifest on the 1973 album Preservation Act 1 and continued through Schoolboys In Disgrace (1976). The Kinks found little success with these conceptual works, and reverted to a traditional rock format throughout the remainder of the 1970s. Sleepwalker(1977), which heralded their return to commercial success, featured a mainstream, relatively slick production style that would become their norm. The band returned to hard rock for Low Budget (1979), and continued to record within the genre throughout the remainder of their career.

Legacy

The Kinks are regarded as one of the most important and influential rock acts of the 1960s and early 1970s. Stephen Thomas Erlewine called The Kinks "one of the most influential bands of the British Invasion". They were ranked 65th on Rolling StoneMagazine's "100 Greatest Artists of All Time" list.

The Kinks are regarded as one of the most important and influential rock acts of the 1960s and early 1970s. Stephen Thomas Erlewine called The Kinks "one of the most influential bands of the British Invasion". They were ranked 65th on Rolling StoneMagazine's "100 Greatest Artists of All Time" list.

Artists influenced by The Kinks include punk rock groups such as the Ramones, The Clash, and The Jam, heavy metal acts including Van Halen and Britpop groups such as Oasis, Blur and Pulp. Craig Nicholls, singer and guitarist of The Vines, described the Kinks as "great songwriters, so underrated". Pete Townshend, guitarist with the Kinks' contemporaries the Who, credited Ray Davies with inventing "a new kind of poetry and a new kind of language for pop writing that influenced me from the very, very, very beginning." Jon Savage wrote that The Kinks were an influence on late 1960s American psychedelic rock groups "like The Doors, Love and Jefferson Airplane".

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The Kinks ( B23 )

In April 1969 Davies helped negotiate an end to the American Federation of Musician ban on the group which allowed plans for a North American tour. Davies went into a state of depression, culminating in his onstage announcement that he was "sick of it all" at a gig in White City Stadium. A review of the concert published in Melody Maker stated: "Davies swore on stage. He stood at The White City and swore that he was 'F......  sick of the whole thing' ... He was 'Sick up to here with it' ... and those that heard shook their heads. Mick just ventured a disbelieving smile, and drummer  on through 'Waterloo Sunset.'" Davies proceeded to try to announce that the Kinks were breaking up, but this attempt was foiled by the group's publicity management, who pulled the plug on the microphone system.

Musical style

The Kinks started out playing the then popular R&B and blues styles; then, under the influence of The Kingsmen's "Louie Louie" recording, developed louder rock and hard rock sounds — due to their pioneering contribution to the field, they have often been labelled as "the original punks". Dave Davies was "really bored with this guitar sound – or lack of an interesting sound" so he purchased "a little green amplifier ... an Elpico" from a radio spares shop in Muswell Hill, and "twiddled around with it", including "taking the wires going to the speaker and putting a jack plug on there and plugging it straight into my AC30" (a larger amplifier), but didn't get the sound he wanted until he got frustrated and "got a single-sided Gillette razorblade and cut round the cone [from the centre to the edge] ... so it was all shredded but still on there, still intact. I played and I thought it was amazing." The jagged sound of the amplifier was replicated in the studio; the Elpico was plugged into the Vox AC30, and the resulting effect became a mainstay in The Kinks' early recordings—most notably on "You Really Got Me" and "All Day and All of the Night".

From 1966 onwards, The Kinks came to be known for their adherence to traditions of English music and culture, during a period when many other British bands dismissed their heritage in favour of American blues, R&B and pop styles.^[1] Ray Davies recalled that at a distinct moment in 1965 he decided to break away from the American scene, and write more introspective and intelligent songs. "I decided I was going to use words more, and say things. I wrote 'Well Respected Man'. That was the first real word-oriented song I wrote. ... [I also] abandoned any attempt to Americanise my accent."

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The Kinks ( B22 )

On 5 November 2016, Dave Davies posted on Twitter: "Me and Ray have not spoken about Kinks shows at all – although were trying to work together on other stuff and have worked on music together". Dave Davies subsequently confirmed that the Davies brothers had recorded 4-5 demos of new songs together for a potential concept album in 2016, but that they had both gotten too distracted by their respective solo work to complete the project. In a Rolling Stone interview, Davies stated that, "We came up with a few songs and some lyrics and had a nice interaction. So he's [Ray] got demos on his computer, and I've got them on mine in a different form. I hope we'll get together and do something with them, but who knows."

On 20 January 2018, long-time bassist Jim Rodford passed away at the age of 76.

Live performances

The first live performance of the Ray Davies Quartet, the band that would become the Kinks, was at a dance for their school, William Grimshaw, in 1962. The band performed under several names between 1962 and 1963—the Pete Quaife Band, the Bo-Weevils, the Ramrods, and the Ravens—before settling on the Kinks in early 1964.

The Kinks made their first tour of Australia and New Zealand in January 1965 as part of a "package" bill that included Manfred Mann and the Honeycombs. They performed and toured relentlessly, headlining package tours throughout 1965 with performers such as the Yardbirds and Mickey Finn. Tensions began to emerge within the band, expressed in incidents such as the on-stage fight between drummer Mick Avory and Dave Davies at The Capitol Theatre, Cardiff, Wales on 19 May. After finishing the first song, "You Really Got Me", Davies insulted Avory and kicked over his drum set. Avory responded by hitting Davies with his hi-hat stand, rendering him unconscious, before fleeing from the scene, fearing that he had killed his bandmate. Davies was taken to Cardiff Royal Infirmary, where he received 16 stitches to his head. To placate police, Avory later claimed that it was part of a new act in which the band members would hurl their instruments at each other. Following their summer 1965 American tour, the American Federation of Musicians refused permits for the group to appear in concerts in the United States for the next four years, possibly due to their rowdy on-stage behaviour.

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The Kinks ( B21 )

In June 2009, Ray Davies told The Independent that while a full-fledged reunion was unlikely, "I will continue to play with ex-band members like Mick Avory from time to time. With Dave, a lot of it is psychological. I'll guide him in, and coerce and nurture him, and when the time is right I suppose I'll even shout at him again." When asked about a possible reunion in an interview that year, Avory stated, "A reunion would not be possible with the originals, for a start due to ill health. But it would be possible with the Kast Off Kinks plus Ray. In any event Ray would record new material. We have some old tracks from the 80s as well." In March 2010, Avory reported that the band were planning on releasing an album of unreleased and new material. He stated that they had "eight tracks" ready for the album, but that the Davies brothers had to settle their differences before the project could progress. It remains unclear who has been involved in the recordings besides Avory and Ray Davies.

Quaife, who had been receiving kidney dialysis for more than ten years, died on 23 June 2010, aged 66. Two days after the bassist's death, Dave Davies posted a statement on his message board expressing deep sorrow over the passing of his former band mate and stating that Quaife "was never really given the credit he deserved for his contribution and involvement  [with The Kinks]". Ray Davies dedicated his performance of 27 June at the Glastonbury Festival to Quaife and performed several Quaife-era Kinks songs in tribute to him. Davies told the crowd, "I wouldn't be here today if it wasn't for him."

In separate interviews early in 2011 both Davies brothers spoke positively about a potential reunion. Dave Davies explained, "There's nothing in the pipeline yet, but ... we'll see. It's possible." Each has said that any reunion would be dependent on the other. According to Ray Davies, the brothers were to meet in April to discuss future plans. In October that year, Dave Davies quashed rumours of a reunion, stating in an interview that although he loves his brother, "I just can't stand to be with him. About an hour with Ray's my limit, so it would be a very short reunion." In November of that year Ray Davies reported that he had recently recorded with Avory "just to sort of try to do what we call demos ... we might do it in fits and starts and bring Dave in at a later date. I'll never say never with my brother, because he's totally unpredictable." In a 2013 Skype interview Dave Davies expressed interest in doing reunions shows. On 18 December 2015, Ray Davies joined Dave Davies onstage at the Islington Assembly Hall in London to perform "You Really Got Me".

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The Kinks ( B20 )

Gosling and Dalton retired in 2008 and were replaced in the band by former Kinks members Jim Rodford and Ian Gibbons, although Dalton has since come out of retirement to perform with the band. Ray Davies, Pete Quaife, and Bob Henrit have occasionally made guest appearances with the group at Kinks fan club conventions.

Ray Davies released the solo album Storyteller, a companion piece to X-Ray, in 1998. Originally written two years earlier as a cabaret-style show, it celebrated his old band and his estranged brother. Seeing the programming possibilities in his music/dialogue/reminiscence format, the American music television network VH1launched a series of similar projects featuring established rock artists titled VH1 Storytellers. Dave Davies spoke favourably of a Kinks reunion in early 2003, and as the 40th anniversary of the group's breakthrough neared, both of the Davies brothers expressed interest in working together again. However, hopes for a reunion were dashed when in June 2004 Dave suffered a stroke while exiting an elevator, temporarily impairing his ability to speak and play guitar. Following Dave's recovery, the Kinks were inducted into the UK Music Hall of Fame in November 2005, with all four of the original band members in attendance. The award was presented by The Who's guitarist and songwriter Pete Townshend, a longtime Kinks fan and friend of Ray Davies. The induction helped fuel sales for the group; in August 2007, a re-entry of The Ultimate Collection, a compilation of material spanning the band's career, reached number 32 on the UK Top 100 album chart and number one on the UK Indie album chart.

In December 2007, Record Collector published an interview with Ray Davies in which he said, "I spoke to Quaife about a month ago and he dearly wants to make another record with me. I think Dave's getting better and Mick's still playing. It would be great to get back together just to see what musical ideas we had, and what would happen." The Daily Mail subsequently interpreted his comments as a declaration that a reunion of the band's original line-up was imminent. Dave Davies swiftly rejected the idea of a reunion. He told a reporter that "it would be like a bad remake of Night of the Living Dead" and added, "Ray has been doing Karaoke Kinks shows since 1996."

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The Kinks ( B19 )

The group was dropped by Columbia in 1994. In the same year, the band released the first version of the album To the Bone on their own Konk label in the UK. This live acoustic album was partly recorded on the highly successful UK tours of 1993 and 1994 and partly in the Konk studio, before a small, invited audience. Two years later the band released a new, improved, live double CD set in the USA, which retained the same name and contained two new studio tracks, "Animal" and "To The Bone". The CD set also featured new treatments of many old Kinks hits. The record drew respectable press but failed to chart in either the US or the UK.

The band's profile rose considerably in the mid-1990s, primarily as a result of the "Britpop" boom. Several of the most prominent bands of the decade cited the Kinks as a major influence. Blur frontman Damon Albarn and Oasis chief songwriter Noel Gallagher both described the Kinks as having a major impact on their songwriting as well as their overall development as musical artists. Gallagher declared the Kinks the fifth best band of all time. Despite such accolades, the group's commercial viability continued to decline.They gradually became less active, leading Ray and Dave Davies to pursue their own interests. Each released an autobiography; Ray's X-Ray was published in early 1995, and Dave responded with his memoir Kink, published a year later. The Kinks gave their last public performance in mid-1996, and the group assembled for what would turn out to be their last time together at a party for Dave's 50th birthday. Kinks chronicler and historian Doug Hinman stated, "The symbolism of the event was impossible to overlook. The party was held at the site of the brothers' very first musical endeavour, the Clissold Arms pub, across the street from their childhood home on Fortis Green in North London."

Solo work and reunion (1996–present)

The band members subsequently focused on solo projects, and Ray and Dave released their own studio albums. Talk of a Kinks reunion circulated (including an aborted studio reunion of the original band members in 1999), but neither Ray nor Dave Davies showed much interest in playing together again. Meanwhile, former members John Gosling, John Dalton and Mick Avory had regrouped in 1994 and started performing on the oldies circuit along with guitar-player/singer Dave Clarke as the Kast Off Kinks.

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The Kinks ( B18 )

Decline in popularity and split (1986–1996)

In early 1986, the group signed with MCA Records in the United States and London Records in the UK. Their first album for the new labels, Think Visual, released later that year, was a moderate success, peaking at number 81 on the Billboard albums chart. Songs like the ballad "Lost and Found" and "Working at the Factory" concerned blue-collar life on an assembly line, while the title track was an attack on the very MTV video culture from which the band had profited earlier in the decade. The Kinks followed Think Visual in 1987 with another live album, The Road, which was a mediocre commercial and critical performer. In 1989, the Kinks released UK Jive, a commercial failure, making only a momentary entry into the album charts at number 122. MCA Records ultimately dropped them, leaving the Kinks without a label deal for the first time in over a quarter of a century. Longtime keyboardist Ian Gibbons left the group and was replaced by Mark Haley.

In 1990, their first year of eligibility, the Kinks were inducted into the Rock and Roll Hall of Fame. Mick Avory and Pete Quaife were present for the award. The induction, however, did not revive the Kinks' stalled career. A compilation from the MCA Records period, Lost & Found (1986-1989), was released in 1991 to fulfil contractual obligations, and marked the official end of the group's relationship with MCA. The band then signed with Columbia Records and released the five-song EP Did Ya in 1991 which, despite being coupled with a new studio re-recording of the band's 1968 British hit "Days", failed to chart.

The Kinks reverted to a four-piece band for the recording of their first Columbia album, Phobia, in 1993. Following Mark Haley's departure after the band's sellout performance at the Royal Albert Hall, London, Gibbons rejoined the Kinks for a US tour. Phobiamanaged only one week in the US Billboard chart at number 166; as had by then become usual for the band, it made no impression in the UK. One single, "Only a Dream", narrowly failed to reach the British chart. "Scattered", the album's final candidate for release as a single, was announced, followed by TV and radio promotion, but the record was unavailable in stores—several months later a small number appeared on the collector market. 

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