7": UK / Epic EMU 2
12": UK / Epic EMU T2
The official music video for the song was directed by Andy Morahan. It features Michael, with noticeable stubble on his face, wearing a black leather jacket with 'Rockers Revenge' and BSA logo, Ray-Ban Aviator sunglasses and a pair of Levi's blue jeans with cowboy boots, playing a guitar near a classic-design Wurlitzer jukebox. Writers Bob Batchelor and Scott Stoddart say the music video positions him as a "masculine sex object", breaking him up into individual body parts such as "stubbled" chin and butt.
The music video also features part of another song by Michael. The video starts by playing "I Want Your Sex", and then is interrupted by the jukebox starting into "Faith". The intro of "Faith" is the chorus of Wham!'s song "Freedom", played on a church organ.
The song reached number one on the US Billboard Hot 100 chart and number two on the UK Singles Chart for two weeks in late October and early November 1987. It entered the UK Singles Chart at number 10 but was kept off the top spot by "You Win Again" from the Bee Gees.
On the Billboard Hot 100 chart, "Faith" went from number 54 to number 37, the week of 31 October 1987. It reached number one on 12 December 1987 and remained there for four consecutive weeks. Altogether, "Faith" stayed in the top 10 for nine weeks, the top 20 for 11 weeks and the top 40 for 15 weeks.
The song incorporates the famed Bo Diddley beat, a classic rock and roll rhythm. It begins with organ played by Chris Cameron, referencing Wham's song "Freedom", followed by guitar strumming, finger clicking, hand-claps, tambourine and hi-hat.
The song was featured in the film Bitter Moon, directed by Roman Polanski. More recently, it featured in Steven Spielberg's Ready Player One and plays during the wedding scene in Ridley Scott's House of Gucci.
The official music video for the song was directed by Andy Morahan. It features Michael, with noticeable stubble on his face, wearing a black leather jacket with 'Rockers Revenge' and BSA logo, Ray-Ban Aviator sunglasses and a pair of Levi's blue jeans with cowboy boots, playing a guitar near a classic-design Wurlitzer jukebox. Writers Bob Batchelor and Scott Stoddart say the music video positions him as a "masculine sex object", breaking him up into individual body parts such as "stubbled" chin and butt.
The music video also features part of another song by Michael. The video starts by playing "I Want Your Sex", and then is interrupted by the jukebox starting into "Faith". The intro of "Faith" is the chorus of Wham!'s song "Freedom", played on a church organ.
Work on the song later resumed on 1 September 1987, when a new bridge added and a 50s-inspired guitar solo by Burns - played on a Geffen custom Stratocaster - were added at Sarm West Studio 2 in London. According to Porter, the solo was constructed bar-by-bar over a period of 4 hours in a similar fashion to recording George's vocals.
Michael never thought of releasing "Faith" as a single in the beginning but once he decided it was going to be released he extended the song length to add the guitar solo, as explained in an interview with Countdown in 1988:
"Faith" is a song written and performed by George Michael, from his 1987 debut solo album of the same name. It held the number-one position on the Billboard Hot 100 chart for four weeks and, according to Billboard magazine, was the number-one single of the year in the United States in 1988. The song also reached number one in Australia and Canada and number two on the UK Singles Chart. In 2001, it placed at number 322 on the Songs of the Century list.
As with the rest of the album, the track was written, arranged, and produced by Michael. It is claimed that the idea came from publisher Dick Leahy's suggestion that Michael write a rock and roll pastiche. The song began life in May 1987 at PUK Studios, Denmark with Michael doing a 2-bar LinnDrum loop and Hugh Burns playing the Bo Diddley-style acoustic rhythm guitar part on a nameless metal-bodied acoustic. Long-time bassist Deon Estus laid down a bass part, while the cathedral organ part was recorded with a Yamaha DX7 (although some sources state it is from a Roland D-50). While recording the vocals on the Faith album and other subsequent solo albums, Michael would usually write lyrics in front of the mic, and build the lead vocal by singing a line, each time he had Chris Porter rewind the tape so he could drop in at certain points to create the right emotional effect with his voice. For this song, George wanted the vocals to be "dry and in-your-face", like on Prince's songs at the time, which Porter noted "had a very tight delay on the vocals, making him sound very growly but dry and aggressive" - it was that kind of effect they managed to recreate with an AMS digital delay.
