The Allman Brothers Band - The Allman Brothers Band ( D1 )

 

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The Allman Brothers Band - Black Hearted Woman ( L2 )

Black hearted woman, can't you see your poor man dyin'?
Can't count on both hands, baby, all the lonely nights I've been cryin'.
Well I'm tired of all your slippery ways, I can't take your evil lyin'.
Oh, no.
Black hearted woman, seems trouble and pain is all you crave.
Black hearted woman, seems trouble and pain is all you crave.
Some time thinking I'll be much better, if I was stiff down in my grave.
I just can't stay. Yeah.

Yesterday I was your man, now you don't know my name.
Yesterday I was your man, now you don't know my name.
Well I'm going out to find a new way baby, oh, to get back into your game.
Yeah, yeah.
One of these days, gonna catch you with your back door man.
One of these days, yeah, gonna catch you with your back door man.
I'll be moving on down the road pretty baby, ah, to start all over again.
Ah, yeah.

The Allman Brothers Band ( I1 )

The Allman Brothers Band - It's Not My Cross to Bear ( L1 )

Yeah

I have not come, yeah, to testify
About our bad, bad misfortune
And I ain't here a wonderin' why
But I'll live on and I'll be strong
'Cause it just ain't my cross to bear

I sat down and wrote you a long letter
It was just the other day
Said, sure as the sunrise, baby
Tomorrow I'll be up and on my way
But I'll live on, I'll be strong
'Cause it just ain't my cross to bear, oh no

Oh but I'll live on, I'll be strong
'Cause it just ain't my cross to bear, it's not baby

But in the end, baby
Long towards the end of your road
Don't reach out for me, babe
'Cause I'm not gonna carry your load
But I'll live on and I'll be strong
'Cause it just ain't my cross to bear

The Allman Brothers Band ( B23 )

Personnel

Members

Duane Allman – guitar, slide guitar (1969–1971; died 1971) Gregg Allman – organ, piano, guitar, vocals (1969–1976, 1978–1982, 1986, 1989–2014; died 2017) Dickey Betts – guitar, slide guitar, vocals (1969–1976, 1978–1982, 1986, 1989–2000) Jai Johanny "Jaimoe" Johanson – drums, percussion (1969–1976, 1978–1980, 1986, 1989–2014) Berry Oakley – bass, vocals (1969–1972; died 1972) Butch Trucks – drums, timpani (1969–1976, 1978–1982, 1986, 1989–2014; died 2017) Chuck Leavell – piano, synthesiser, background vocals (1972–1976, 1986) Lamar Williams – bass, vocals (1972–1976; died 1983) David Goldflies – bass (1978–1982) Dan Toler – guitar (1978–1982, 1986; died 2013) Mike Lawler – keyboards (1980–1982) David "Frankie" Toler – drums (1980–1982; died 2011) Warren Haynes – guitar, slide guitar, vocals (1989–1997, 2000–2014) Johnny Neel – keyboards, harmonica (1989–1990) Allen Woody – bass, background vocals (1989–1997; died 2000) Marc Quiñones – drums, percussion, background vocals (1991–2014) Oteil Burbridge – bass, vocals (1997–2014) Jack Pearson – guitar, vocals (1997–1999) Derek Trucks – guitar, slide guitar (1999–2014) Jimmy Herring – guitar (2000)

The Allman Brothers Band ( B22 )

• • 100 Greatest Guitarists of All Time (2003):
    • No. 2 Duane Allman
    • No. 23 Warren Haynes
    • No. 58 Dickey Betts
    • No. 81 Derek Trucks
  • 100 Greatest Guitarists of All Time (2011):
    • No. 9 Duane Allman
    • No. 16 Derek Trucks
    • No. 61 Dickey Betts

Discography

The Allman Brothers Band placed more emphasis on their live performances rather than albums. "We get kind of frustrated doing the [studio] records," said Duane Allman in 1970. Consequently, this listing includes all studio albums and major live releases (several other live releases have been issued retrospectively).

• The Allman Brothers Band (1969)
• Idlewild South (1970)
• At Fillmore East (1971)
• Eat a Peach (1972)
• Brothers and Sisters (1973)
• Win, Lose or Draw (1975)
• Wipe the Windows, Check the Oil, Dollar Gas (1976)
• Enlightened Rogues (1979)
• Reach for the Sky (1980)
• Brothers of the Road (1981)
• Seven Turns (1990)
• Shades of Two Worlds (1991)
• An Evening with the Allman Brothers Band: First Set (1992)
• Where It All Begins (1994)
• An Evening with the Allman Brothers Band: 2nd Set (1995)
• Peakin' at the Beacon (2000)
• Hittin' the Note (2003)
• One Way Out (2004)

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The Allman Brothers Band ( B21 )

In 2012, an official historic marker was erected on the site of the July 1970 Second Atlanta International Pop Festival near Byron, Georgia. The Allman Brothers Band had played two sets at the festival, which was a significant event in their career. The marker text reads, in part: "Over thirty musical acts performed, including... Macon's Allman Brothers Band on their launching pad to national fame." Official sponsors of the marker included the Georgia Allman Brothers Band Association, The Allman Brothers Band Museumat the Big House, and Hittin' the Note. In 2003, the band released a recording of their festival opening and closing performances, Live at the Atlanta International Pop Festival: July 3 & 5, 1970.

Awards and recognition

Guest appearances during the "Beacon Run" were common. Here Eric Clapton joins the band in March 2009 to play songs from 1970's Layla and Other Assorted Love Songs, which had featured Duane Allman.

• Grammy Award for Best Rock Instrumental Performance, 1996, "Jessica" (also famous for being the theme for Top Gear).
• Grammy Lifetime Achievement Award, 2012
• Inducted into the Rock and Roll Hall of Fame, 1995
• Rolling Stone's "Greatest...of All Time" lists:
• 100 Greatest Artists of All Time (2004): No. 52
• 500 Greatest Albums of All Time (2003): No. 49 for At Fillmore East

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The Allman Brothers Band ( B20 )

The group also held an improvisational approach to live performances, which connected the band with jam band culture. "Jazz and blues musicians have been doing this for decades, but I think they really brought that sense that anyone onstage can inspire anyone else at any given time to rock music," said Haynes. "We sure didn't set out to be a "jam band" but those long jams just emanated from within the band, because we didn't want to just play three minutes and be over," said Allman. Rolling Stone referred to the group as "without question the first great jam band, and they took the jam to heights that it had not previously reached."

Legacy

The Allman Brothers Band were considerably influential within the Southern United States. Their arrival on the musical scene paved the way for several other notable Southern rock acts — among those Lynyrd Skynyrd, the Marshall Tucker Band and Wet Willie — to achieve commercial success, and also "almost single-handedly" made Capricorn Records into "a major independent label." Billy Gibbons of ZZ Top, writing for Rolling Stone, wrote that the group "defined the best of every music from the American South in that time. They were the best of all of us." He went on to call the band "a true brotherhood of players — one that went beyond race and ego. It was a thing of beauty." The band's extended popularity through heavy touring in the early 1990s created a new generation of fans, one that viewed the Allmans as pioneers of "latter-day collegiate jam rock." AllMusic praised the band's history: "they went from being America's single most influential band to a shell of their former self trading on past glories, to reach the 21st century resurrected as one of the most respected rock acts of their era."

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The Allman Brothers Band ( B19 )

This type of jazz-infused jamming is expressed in the instrumental "In Memory of Elizabeth Reed", which focuses heavily on improvisation."Whipping Post" was notable for its inclusion of blues-ballad themes, and became one of the most popular (and longest) compositions. Later, Betts generally led the band in a more "country" direction following Duane's passing; their only hit single "Ramblin' Man" was considered so unusually "country" for the group they were initially reluctant to record it.

Duane Allman created the idea of having two lead guitarists, which was inspired by Curtis Mayfield; "[he] wanted the bass, keyboards, and second guitar to form patterns behind the solo rather than just comping," said Allman. Their style and incorporation of guitar harmonies was very influential on later musicians. "The pair also had a wide range of complementary techniques, often forming intricate, interlocking patterns with each other and with the bassist, Berry Oakley, setting the stage for dramatic flights of improvised melodies." Dickey Betts' playing was very melody-based; "My style is just a little too smooth and round to play the blues stuff straight, because I'm such a melody guy that even when I'm playing the blues, I go for melody first," he said. His listening of country and string bluegrass growing up influenced this considerably: "I played mandolin, ukulele, and fiddle before I ever touched a guitar, which may be where a lot of the major keys I play come from." He later characterized their style as "question and answer, anticipation and conclusion," which involved allowing each musician's downbeat to arrive in a different spot, while also keeping consideration of the bass guitar lines. 

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The Allman Brothers Band ( B18 )

Gregg Allman also saw the "Southern rock" tag as redundant, saying it was like saying "rock rock". The band was certainly at the forefront of the genre's popularity in the early 1970s; the breakthrough of At Fillmore East led their hometown of Macon to become flooded with "Southern rock" groups. Despite this, the group has continued to remove itself from the term. "The problem I have is a lot of people associate it with rednecks and rebel flags and backward mentality. That has never been representative of the Allman Brothers Band," said guitarist Warren Haynes.

The group largely infused hints of the blues, jazz, and country into their music. They all avidly shared their record collections with one another during the early days of the band. For example, Betts was into country music and the guitar work of Chuck Berry, while Trucks was largely into groups such as the Rolling Stones and the Grateful Dead.Duane and Gregg Allman grew infatuated with rhythm and blues in their teens, collecting records by James Brown, B.B. King, Sonny Boy Williamson, and Howlin' Wolf. The brothers were also heavily influenced by guitarist Taj Mahal and his 1968 eponymous debut album. It was this influence that led both to their discovery of their now famous slide guitar style. Drummer Jai Johanny "Jaimoe" Johansonlargely introduced the group to jazz. While Betts commented that he was interested in artists such as Howard Roberts prior, Jaimoe "really fired us up on it," introducing his bandmates to Miles Davis and John Coltrane. Duane Allman was also inspired by Howard Roberts, Wes Montgomery, Tal Farlow, and Kenny Burrell. The source of the band's modal jamming in their earliest days was Coltrane's rendition of "My Favorite Things" and Davis' "All Blues," which Jaimoe occasionally stole from: "I did a lot of copying, but only from the best."

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The Allman Brothers Band ( B17 )

The Allman Brothers Band performed its final show on October 28, 2014 at the Beacon Theatre. The show was the 238th straight sellout for the band at the Beacon. The concert consisted of three sets, comprising mostly music from their first five records, with no guest musicians sitting in. "We had a band meeting and decided no guest sit-ins. We're going out with just the band," Allman told reporters. Following the sets, which ran into the early morning hours, the band joined together center stage and took a bow, with Allman recalling the group's first rehearsal 45 years prior: "I was called to come and meet these guys in Jacksonville, Florida, [...] on March 26, 1969. Now, we're gonna do the first song we ever played." Following this, the band performed "Trouble No More" by Muddy Waters. During the night's intermissions, a video screen displayed a message: "The road indeed goes on forever. So stay calm, eat a peach and carry on..." In May 2017, founding member Gregg Allman died from complications arising from liver cancer at the age of 69.

Musical style and influences

The Allman Brothers Band have generally been considered one of the pioneering bands in Southern rock, although the group distanced itself from the term.Guitarist Dickey Betts was most vocal about this classification, which he considered unfair: "I think it's limiting. I'd rather just be known as a progressive rock band from the South. I'm damned proud of who I am and where I'm from, but I hate the term 'Southern rock.' I think calling us that pigeonholed us and forced people to expect certain types of music from us that I don't think are fair."

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The Allman Brothers Band ( B16 )

This incarnation of the Allman Brothers Band was well-regarded among fans and the general public, and remained stable and productive."This band is the greatest one since Duane and Berry, and why shouldn't it be?" said Jaimoe. The band released their final studio recording, Hittin' the Note (2003), to critical acclaim. The record was the first to feature Derek Trucks and the only Allman Brothers album to not feature Betts. The band continued to tour throughout the 2000s, remaining a top touring act, regularly attracting more than 20,000 fans. The decade closed with a successful run at the Beacon Theatre, in celebration of the band's fortieth anniversary. "That [2009 run] was the most fun I've ever had in that building," said Allman, and it was universally regarded within the band as a career highlight. The run featured numerous special guests, including Eric Clapton, whom all in the band regarded as the most "special" guest, due to his association with Duane. Allman had a liver transplant in 2010, and suffered health setbacks for the following two years. He went to rehab in 2012 for addiction following his medical treatments.

David "Frankie" Toler (born David Wayne Toler on June 28, 1951) died at a hospice care in Bradenton, Florida on June 4, 2011 after a long illness following a liver transplant. He was 59.

In 2012, the Allman Brothers started their own music festival, The Peach, which features many associated acts and many genres in addition to two Allman Brothers performances. They played a run at the Beacon in 2013 per tradition and after continued to tour. In 2014, Haynes and Derek Trucks announced their intention to depart the group at the end of the year. The group intended their 2014 run of Beacon shows to be their last, but the residency was cut short when Allman developed bronchitis.

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The Allman Brothers Band ( B15 )

Trucks phoned his nephew, Derek Trucks, to join the band for their thirtieth anniversary tour. Trucks was very young, at age 20, and younger than any of the original members when the band formed. "It was an honor to be part of such a great institution from the start," said Derek Trucks. "When I first got the gig, I was just trying to maintain the spirit of the whole thing while hopefully bringing some fire to it, hoping to hold up my end while also expressing my own voice." The Beacon run in 2000, captured on Peakin' at the Beacon, was ironically considered among the band's worst performances; an eight-show spring tour led to even more strained relations in the group. "It had ceased to be a band—everything had to be based around what Dickey was playing," said Allman. Anger boiled over within the group towards Betts, which led to all original members sending him a letter, informing him of their intentions to tour without him for the summer.
All involved contend that the break was temporary, but Betts responded by hiring a lawyer and suing the group, which led to a permanent divorce. "I had no idea that I would be snapped out of the picture. I thought it was cruel and impersonal," said Betts. Allman was finally sober and felt more miserable shows with Betts would be a waste of time. Betts later received a cash settlement, which is subject to a confidentiality agreement; he went on to record new music with a new band. Jimmy Herring joined the band for the summer tour, where the band fought negative press; fans contended that attending shows by an Allman Brothers Band without Betts was pointless. Herring exited shortly after the tour, as he felt guilty that he would replace Betts. That August, former bassist Allen Woody was found dead in a hotel room in New York. Warren Haynes set up a benefit show for his former bandmate, which featured the Allman Brothers Band. With Derek Trucks unavailable, he sat in for the set. In 2001, Haynes rejoined the band for their Beacon run: "It was my first time with the band in four years and it was very comfortable," he remarked.

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The Allman Brothers Band ( B14 )

Despite the growing tension, Haynes remained a member and Betts returned. Their third post-reunion record, Where It All Begins(1994), was recorded entirely live. "The Allman Brothers was a year-by-year thing. There was no indication that it was capable of staying together for years to come. We all looked at it as each tour could be the last one, and there was no reason to think otherwise," said Haynes. The band continued to tour with greater frequency, attracting younger generations with their headlining of the H.O.R.D.E. Festival. The group were inducted into the Rock and Roll Hall of Fame in January 1995; Allman was severely inebriated and could not make it through his acceptance speech. Seeing the ceremony broadcast on television later, Allman was mortified, providing a catalyst for his final, successful attempt to quit alcohol and substance abuse. During the 1996 run at the Beacon, turmoil came to a breaking point between Allman and Betts, nearly causing a cancellation of a show and causing another band breakup. "We were upstairs in our dressing rooms [...] I'm sitting there thinking, 'This is it. This is how it finally ends,'" said Trucks.Haynes and Woody left to focus on Gov't Mule, feeling as though a break was imminent with the Allman Brothers Band.

Later years (1997–2014)

The group recruited Oteil Burbridge of the Aquarium Rescue Unit to replace Woody on bass, and Jack Pearson on guitar. Concerns arose over the increasing loudness of Allman Brothers shows, which were largely centered on Betts. Pearson, struggling with tinnitus, left as a result following the 1999 Beacon run.

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The Allman Brothers Band ( B13 )

The group were initially reluctant to tour, but found they performed solidly; in addition, former roadies such as "Red Dog" returned. The band returned to the studio with longtime producer Tom Dowd for 1990's Seven Turns, which was considered a return to form. "Good Clean Fun" and "Seven Turns" each became big hits on the Mainstream Rock Tracks chart. The addition of Haynes and Woody had "reenergized" the ensemble. Neel left the group in 1990, and the band added percussionist Marc Quiñones, formerly of Spyro Gyra, the following year.

The band performed 87 shows in 1991, and 77 the following year. The band did not renew Goldberg's contract as manager, and as a result, their tour manager, Bert Holman, became the band's full-time manager in 1991 and remained so for the rest of their career.Their next studio effort, Shades of Two Worlds (1992), produced the crowd favorite "Nobody Knows". The band also released a live album, An Evening with the Allman Brothers Band: First Set, recorded at their 1992 residency at New York's Beacon Theatre. The band performed ten consecutive shows there (establishing themselves as a "New York rite of spring," according to biographer Alan Paul), which set the stage for their return nearly every year afterward. The band grew contentious over a 1993 tour, in which Betts was arrested when he shoved two police officers. Struggling to find a replacement guitarist, they brought in David Grissom (then touring with John Mellencamp), and also Jack Pearson, a Nashville-based friend of Haynes (the original replacement, Zakk Wylde, filled in for a show but his onstage antics did not fit with the band). Haynes was both opening with his own band and headlining with the Allman Brothers, and began to consider leaving the group, due to their increasing lack of communication.

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The Allman Brothers Band ( B12 )

For their second and final album with Arista, Brothers of the Road (1981), they collaborated with a "name producer" (John Ryan, of Styx and the Doobie Brothers), who pushed the band even harder to change their sound. "Straight from the Heart" was the album's single, which became a minor hit but heralded the group's last appearance on the top 40 charts. The band, considering their post-reunion albums "embarrassing", subsequently broke up in 1982 after clashing with Clive Davis, who rejected every producer the band suggested for a possible third album, including Tom Dowd and Johnny Sandlin. "We broke up in '82 because we decided we better just back out or we would ruin what was left of the band's image," said Betts. The band's final performance came on Saturday Night Live in January 1982, where they performed "Southbound" and "Leavin'." The members regrouped occasionally in the intervening years; in 1986, Betts and Allman toured together, with each opening for one another and collaborating for a set. Allman's solo career began looking up when he released his first solo album in over a decade in 1987, I'm No Angel. The title track became a surprise hit on radio, peaking at No. 49 on the Billboard Hot 100 and No. 1 on the magazine's Mainstream Rock Tracks chart

Second reunion and heavy touring (1989–1996)

The Allman Brothers Band celebrated its twentieth anniversary in 1989, and the band reunited for a summer tour, with Jaimoe once again on drums. In addition, they featured guitarist Warren Haynes and pianist Johnny Neel, both from the Dickey Betts Band, and bassist Allen Woody, who was hired after open auditions held at Trucks's Florida studio. The classic rock radio format had given the band's catalog songs new relevance, as did a multi-CD retrospective box set, Dreams. Epic, who had worked with Allman on his solo career, signed the band. Danny Goldberg became the band's manager; he had previously worked with acts such as Led Zeppelin and Bonnie Raitt.

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The Allman Brothers Band ( B11 )

The band reunited with Tom Dowd at Criteria Studios in Miami to cut their reunion album, which was released in February 1979 as Enlightened Rogues, a term Duane had used to describe the band. While the band "tried to make it happen," they later concluded that the chemistry was not there; the album was a minor commercial success, which was credited to the production work from Dowd. Betts filed a lawsuit against Walden for nonpayment of record and publishing royalties, and Betts's lawyer, Steve Massarsky, began managing the group. Betts won the lawsuit, and the rest of the band filed suit while Capricorn declared bankruptcy that October. Massarsky led the successful effort to sign the band with Arista, which pushed the band to "modernize" their sound. "[Arista founder] Clive Davis destroyed any hope that we had that we could make the thing work again," said Trucks later. "He wanted us to be a Southern American version of Led Zeppelin and brought in outside producers and it just kept getting worse."

Their first Arista effort, Reach for the Sky (1980), was produced by Nashville songwriters Mike Lawler and Johnny Cobb. Bonnie Bramlett, who toured with the band near the end of the decade, sang lead on one song. Lawler soon became a part of the band's touring ensemble, incorporating center-stage keytar solos "that most fans consider the band's nadir." Drugs remained a problem with the band, particularly among Betts and Allman. Although the album was made with the intention of creating a hit single, the genre of Southern rock was waning considerably in the mainstream. The band again grew apart, firing longtime roadie "Red Dog" and replacing Jaimoe with Toler's brother Frankie, who had been a member of Great Southern. The main point of contention was Jaimoe's insistence that his wife and manager, Candace Oakley (Berry's sister), handle his business affairs. "One of the real blights on the history of the Allman Brothers Band was that Jaimoe, this gentle man, was fired from this organization," said Allman later. Not long after, "the band changed managers, hiring the promoter John Scher after Massarsky eased himself out, reportedly saying, 'It's a million-dollar headache and a quarter-million-dollar job.'"

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The Allman Brothers Band ( B10 )

From August 1975 to May 1976, the Allman Brothers Band played 41 shows to some of the biggest crowds of their career. Gradually, the members of the band grew apart during these tours, with sound checks and rehearsals "[becoming] a thing of the past." Allman later pointed to a benefit for presidential candidate Jimmy Carter (an avowed fan of the group) as the only real "high point" in an otherwise "rough, rough tour." The shows were considered lackluster and the members were excessive in their drug use. The "breaking point" came when Gregg Allman testified in the trial of security man Scooter Herring. Bandmates considered him a "snitch", and he received death threats, leading to law-enforcement protection. Herring was convicted on five counts of conspiracy to distribute cocaine and received a 75-year prison sentence, which was later reduced prior to a presidential pardon from Carter. For his part, Allman always maintained that Herring had told him to take the deal to turn state's evidence and that he (Herring) would take the fall; nevertheless, the band refused to communicate with Allman after the incident. As a result, the band finally broke up; Leavell, Williams, and Jaimoe continued playing together in Sea Level, Betts formed Great Southern, and Allman founded the Gregg Allman Band. The 1976 live album Wipe the Windows, Check the Oil, Dollar Gas was seen as "the last gasp of a dying band," which was unfortunate for the now-floundering Capricorn Records, which desperately needed the band together to stay afloat.

First reunion, subsequent break-up, and interim years (1979–1988)

In 1978, Allman and Walden first approached Betts with the idea of a reunion. Their first public appearance together came at a Great Southern show in New York's Central Park that summer, when Allman, Trucks, and Jaimoe joined the band for a few songs. Williams and Leavell declined to leave Sea Level, so the Allman Brothers Band hired guitarist Dan Toler and bassist David Goldflies from Great Southern.

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The Allman Brothers Band ( B9 )

 Chuck Leavell was asked to play piano for Allman's solo album, Laid Back (1973), and gradually found himself contributing to the Allman Brothers as well. Dickey Betts became the group's de facto leader during the recording process. "It's not like Dickey came in and said, 'I'm taking over. I'm the boss. Do this and that.' It wasn't overt; it was still supposedly a democracy, but Dickey started doing more and more of the songwriting," said road manager Willie Perkins. Brothers and Sisters was an enormous success, peaking at number one, resulting in the band becoming "the most popular band in the country." "Ramblin' Man", Betts' country-infused number, received interest from radio stations immediately, and it rose to number two on the Billboard Hot 100.

The Allman Brothers Band returned to touring, playing larger venues, receiving more profit and dealing with less friendship, miscommunication, and spiraling drug problems. This culminated in a backstage brawl when the band played with the Grateful Dead at Washington's RFK Stadium in June 1973, which resulted in the firing of three of the band's longtime roadies. The band played arenas and stadiums almost solely as their drug use escalated. In 1974, the band was regularly making $100,000 per show, and was renting the Starship, a customized Boeing 720B used by Led Zeppelin and the Rolling Stones. "When [we] got that goddamn plane, it was the beginning of the end," said Allman. Both Allman and Betts released top-20 solo albums in 1974 (The Gregg Allman Tour and Highway Call). The sessions that produced 1975's Win, Lose or Draw, the last album by the original Allman Brothers Band, were disjointed and inconsistent; Gregg Allman was largely living in Los Angeles and dating pop star Cher, and was, according to biographer Alan Paul, "[becoming] more famous for being famous than for his music." His vocals were recorded there, as he could not be bothered to return to Macon much. Upon its release, it was considered subpar and sold less than its predecessor; the band later remarked that they were "embarrassed" about the album.

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The Allman Brothers Band ( B8 )

The band returned to Miami in December to complete work on their third studio album. Completing the recording of Eat a Peach raised each member's spirits; "The music brought life back to us all, and it was simultaneously realized by every one of us. We found strength, vitality, newness, reason, and belonging as we worked on finishing Eat a Peach," said Allman. "Those last three songs [...] just kinda floated right on out of us [...] The music was still good, it was still rich, and it still had that energy—it was still the Allman Brothers Band." Released in February 1972, Eat a Peach was the band's second hit album, shipping gold and peaking at number four on Billboard's Top 200 Pop Albums chart. "We'd been through hell, but somehow we were rolling bigger than ever," said Gregg Allman.

The band performed nearly 90 shows in the following year, touring as a five-piece. The band also purchased 432 acres of land in Juliette, Georgia for $160,000 and nicknamed it "the Farm"; it soon became a group hangout and fulfilled bassist Oakley's communal dreams. Oakley, however, was visibly suffering from the death of his friend: he excessively drank and consumed drugs, and was losing weight quickly. According to friends and family, he appeared to have lost "all hope, his heart, his drive, his ambition, [and] his direction" following Duane's death. "Everything Berry had envisioned for everybody—including the crew, the women and children—was shattered on the day Duane died, and he didn't care after that," said roadie Kim Payne. Oakley repeatedly wished to "get high, be high, and stay high," causing quiet concern from all those around him. On November 11, 1972, slightly inebriated and overjoyed at the prospect of leading a jam session later that night, Oakley crashed his motorcycle into the side of a bus, just three blocks from where Duane had been killed. He declined hospital treatment and went home, but gradually grew delirious. He was taken to the hospital shortly thereafter and died of cerebral swelling caused by a fractured skull. Oakley was buried directly beside Duane at Rose Hill Cemetery in Macon.

Brothers and Sisters, celebrity, and inner turmoil (1973–1976)

The band unanimously decided to carry on and arranged auditions for new bassists, with a renewed fervor and determination. Several bassists auditioned, but the band picked Lamar Williams, an old friend of drummer Jai Johanny Johanson's from Gulfport, Mississippi, two years removed from an Army stint in Vietnam.

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