The Beach Boys ( B49 )

 He was the only white guy on his track team. He was really immersed in doo-wop and that music and I think he influenced Brian to listen to it. The black artists were so much better in terms of rock records in those days that the white records almost sounded like put-ons." On Jimi Hendrix and "heavy" music, Brian said he felt no pressure to go in that direction: "We never got into the heavy musical level trip. We never needed to. It's already been done."

Another significant influence on Brian's work was Burt Bacharach. He said in the 1960s: "Burt Bacharach and Hal David are more like me. They're also the best pop team – per se – today. As a producer, Bacharach has a very fresh, new approach." Regarding surf rock pioneer Dick Dale, Brian said that his influence on the group was limited to Carl and his style of guitar playing. Carl credited Chuck Berry, the Ventures, and John Walker with shaping his guitar style, and that the Beach Boys had learned to play all of the Ventures' songs by ear early in their career.

In 1967, Lou Reed wrote in Aspen that the Beach Boys created a "hybrid sound" out of old rock and the Four Freshmen, explaining that such songs as "Let Him Run Wild", "Don't Worry Baby", "I Get Around", and "Fun, Fun, Fun" were not unlike "Peppermint Stick" by the Elchords. Similarly, John Sebastian of the Lovin' Spoonful noted, "Brian had control of this vocal palette of which we had no idea. We had never paid attention to the Four Freshmen or doo-wop combos like the Crew Cuts. Look what gold he mined out of that."

Vocals

Brian identified each member individually for their vocal range, once detailing the ranges for Carl, Dennis, Jardine ("[they] progress upwards through G, A, and B"), Love ("can go from bass to the E above middle C"), and himself ("I can take the second D in the treble clef").

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George Michael - Faith ( s1.2 )

 

History

The song incorporates the famed Bo Diddley beat, a classic rock and roll rhythm. It begins with organ played by Chris Cameron, referencing Wham's song "Freedom", followed by guitar strumming, finger clicking, hand-claps, tambourine and hi-hat.

The song was featured in the film Bitter Moon, directed by Roman Polanski. More recently, it featured in Steven Spielberg's Ready Player One and plays during the wedding scene in Ridley Scott's House of Gucci.

Music video

The official music video for the song was directed by Andy Morahan. It features Michael, with noticeable stubble on his face, wearing a black leather jacket with 'Rockers Revenge' and BSA logo, Ray-Ban Aviator sunglasses and a pair of Levi's blue jeans with cowboy boots, playing a guitar near a classic-design Wurlitzer jukebox. Writers Bob Batchelor and Scott Stoddart say the music video positions him as a "masculine sex object", breaking him up into individual body parts such as "stubbled"  chin and butt.

The music video also features part of another song by Michael. The video starts by playing "I Want Your Sex", and then is interrupted by the jukebox starting into "Faith". The intro of "Faith" is the chorus of Wham!'s song "Freedom", played on a church organ.

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Phish ( I1 )

 

George Michael - Faith ( s1.1 )

 Work on the song later resumed on 1 September 1987, when a new bridge added and a 50s-inspired guitar solo by Burns - played on a Geffen custom Stratocaster - were added at Sarm West Studio 2 in London. According to Porter, the solo was constructed bar-by-bar over a period of 4 hours in a similar fashion to recording George's vocals.

Michael never thought of releasing "Faith" as a single in the beginning but once he decided it was going to be released he extended the song length to add the guitar solo, as explained in an interview with Countdown in 1988:

"Faith was never actually intended as a single when I first recorded it. And then I listened to it more and more and... 'cause in fact, originally it was two minutes long. Originally there was no guitar solo. There was no real guitar sound on it or anything. And everyone said it's great, it's great but it's too short, you know. And everyone kept saying that 'I love Faith, I love Faith'. So I thought, well maybe I should put it out as a single when it came to that. I said, I think a two-minute long single is a bit, you know... so I went in and extended it. But it was originally never intended as a single. It was just gonna be a small track on the album, a really short track."

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George Michael - Faith ( s1 )

 

"Faith" is a song written and performed by George Michael, from his 1987 debut solo album of the same name. It held the number-one position on the Billboard Hot 100 chart for four weeks and, according to Billboard magazine, was the number-one single of the year in the United States in 1988. The song also reached number one in Australia and Canada and number two on the UK Singles Chart. In 2001, it placed at number 322 on the Songs of the Century list.

Writing and recording

As with the rest of the album, the track was written, arranged, and produced by Michael. It is claimed that the idea came from publisher Dick Leahy's suggestion that Michael write a rock and roll pastiche. The song began life in May 1987 at PUK Studios, Denmark with Michael doing a 2-bar LinnDrum loop and Hugh Burns playing the Bo Diddley-style acoustic rhythm guitar part on a nameless metal-bodied acoustic.  Long-time bassist Deon Estus laid down a bass part, while the cathedral organ part was recorded with a Yamaha DX7 (although some sources state it is from a Roland D-50). While recording the vocals on the Faith album and other subsequent solo albums, Michael would usually write lyrics in front of the mic, and build the lead vocal by singing a line, each time he had Chris Porter rewind the tape so he could drop in at certain points to create the right emotional effect with his voice. For this song, George wanted the vocals to be "dry and in-your-face", like on Prince's songs at the time, which Porter noted "had a very tight delay on the vocals, making him sound very growly but dry and aggressive" - it was that kind of effect they managed to recreate with an AMS digital delay.

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Bob Dylan ( b30 )

 In December 1997, US President Bill Clinton presented Dylan with a Kennedy Center Honor in the East Room of the White House, paying this tribute: "He probably had more impact on people of my generation than any other creative artist. His voice and lyrics haven't always been easy on the ear, but throughout his career Bob Dylan has never aimed to please. He's disturbed the peace and discomforted the powerful".

2000s

"Things Have Changed"

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Dylan's Oscar-winning song was featured in the movie Wonder Boys. The line "sapphire-tinted skies" echoes the verse of Shelley while "forty miles of bad road" echoes Duane Eddy's hit single.

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Dylan commenced the 2000s by winning the Polar Music Prize in May 2000 and his first Oscar; his song "Things Have Changed", written for the film Wonder Boys, won an Academy Award for Best Song in 2001.

"Love and Theft" was released on September 11, 2001. Recorded with his touring band, Dylan produced the album himself under the pseudonym Jack Frost. The album was critically well received and earned nominations for several Grammy awards. Critics noted that Dylan was widening his musical palette to include rockabilly, Western swing, jazz, and even lounge ballads. "Love and Theft" generated controversy when The Wall Street Journal pointed out similarities between the album's lyrics and Japanese author Junichi Saga's book Confessions of a Yakuza.

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The Beatles ( B 41 )

 In 1984, Starr co-starred in McCartney's film Give My Regards to Broad Street, and played with McCartney on several of the songs on the soundtrack. In 1987, Harrison's Cloud Nine album included "When We Was Fab", a song about the Beatlemania era.

When the Beatles' studio albums were released on CD by EMI and Apple Corps in 1987, their catalogue was standardised throughout the world, establishing a canon of the twelve original studio LPs as issued in the UK plus the US LP version of Magical Mystery Tour. All the remaining material from the singles and EPs that had not appeared on these thirteen studio albums was gathered on the two-volume compilation Past Masters (1988). Except for the Red and Blue albums, EMI deleted all its other Beatles compilations – including the Hollywood Bowl record – from its catalogue.

In 1988, the Beatles were inducted into the Rock and Roll Hall of Fame, their first year of eligibility. Harrison and Starr attended the ceremony with Lennon's widow, Yoko Ono, and his two sons, Julian and Sean. McCartney declined to attend, citing unresolved "business differences" that would make him "feel like a complete hypocrite waving and smiling with them at a fake reunion". The following year, EMI/Capitol settled a decade-long lawsuit filed by the band over royalties, clearing the way to commercially package previously unreleased material.

1990s

Live at the BBC, the first official release of unissued Beatles performances in seventeen years, appeared in 1994.

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