Alabama - My Home's in Alabama ( D1 )

 

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Neil Young ( b6 )

 Buffalo Springfield (1966–1968)

Once they reached Los Angeles, Young and Palmer met up with Stephen Stills and Richie Furay after a chance encounter in traffic on Sunset Boulevard. Along with Dewey Martin, they formed Buffalo Springfield. A mixture of folk, country, psychedelia, and rock, lent a hard edge by the twin lead guitars of Stills and Young, made Buffalo Springfield a critical success, and their first record Buffalo Springfield (1966) sold well after Stills' topical song "For What It's Worth" became a hit, aided by Young's melodic harmonics played on electric guitar. According to Rolling Stone, the Rock and Roll Hall of Fame and other sources, Buffalo Springfield helped create the genres of folk rock and country rock.

Distrust of their management, as well as the arrest and deportation of Palmer, worsened the already strained relations among the group members and led to Buffalo Springfield's demise. A second album, Buffalo Springfield Again, was released in late 1967, but two of Young's three contributions were solo tracks recorded apart from the rest of the group.

From that album, "Mr. Soul" was the only Young song of the three that all five members of the group performed together. "Broken Arrow" features snippets of sound from other sources, including opening the song with a soundbite of Dewey Martin singing "Mr. Soul" and closing it with the thumping of a heartbeat. "Expecting to Fly" featured a string arrangement that Young's co-producer for the track, Jack Nitzsche, dubbed "symphonic pop".

In May 1968, the band split up for good, but to fulfill a contractual obligation, a final studio album, Last Time Around, was released. The album was primarily composed of recordings made earlier that year.

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Alan Parsons ( i1 )

 

Bee Gees ( B17 )

 Barry Gibb remembered the reaction when Stigwood and music supervisor Bill Oakes arrived and listened to the demos:

They flipped out and said these will be great. We still had no concept of the movie, except some kind of rough script that they'd brought with them. ... You've got to remember, we were fairly dead in the water at that point, 1975, somewhere in that zone—the Bee Gees' sound was basically tired. We needed something new. We hadn't had a hit record in about three years. So we felt, Oh Jeez, that's it. That's our life span, like most groups in the late '60s. So, we had to find something. We didn't know what was going to happen.

Bill Oakes, who supervised the soundtrack, asserts that Saturday Night Fever did not begin the disco craze but rather prolonged it: "Disco had run its course. These days, Fever is credited with kicking off the whole disco thing—it really didn't. Truth is, it breathed new life into a genre that was actually dying."

Three Bee Gees singles—"How Deep Is Your Love" (US No. 1, UK No. 3), "Stayin' Alive" (US No. 1, UK No. 4) and "Night Fever" (US No. 1, UK No. 1)—charted high in many countries around the world, launching the most popular period of the disco era. They also penned the song "If I Can't Have You", which became a US No. 1 hit for Yvonne Elliman, while the Bee Gees' own version was the B-side of "Stayin' Alive". 

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Istoric ( 284 )

 21.11.1991 - Aerosmith made a guest appearance in the Simpsons TV animated comedy. Other acts who have appeared on the show included: Red Hot Chili Peppers, The Smashing Pumpkins, Sonic Youth, U2, The Moody Blues, The B-52’s, The Who, R.E.M., Phish, Blink-182, Metallica, and The White Stripes.

The Who ( B13 )

 Townshend's hair was singed and his left ear left ringing, and a camera and studio monitor were destroyed.

The next album was The Who Sell Out – a concept album paying tribute to pirate radio, which had been outlawed in August 1967 by the Marine, &c., Broadcasting (Offences) Act 1967. It included humorous jingles and mock commercials between songs, a mini rock opera called "Rael", and "I Can See For Miles". The Who declared themselves a pop art group and thus viewed advertising as an artform; they recorded a wide variety of radio advertisements, such as for canned milkshakes and the American Cancer Society, in defiance of the rising anti-consumerist ethos of the hippie counterculture. Townshend stated, "We don't change offstage. We live pop art." Later that year, Lambert and Stamp formed a record label, Track Records, with distribution by Polydor. As well as signing Hendrix, Track became the imprint for all the Who's UK output until the mid-1970s.

The group started 1968 by touring Australia and New Zealand with the Small Faces. The groups had trouble with the local authorities and the New Zealand Truth called them "unwashed, foul-smelling, booze-swilling no-hopers". After an incident that took place on a flight to Sydney, the band were briefly arrested in Melbourne and then forced to leave the country; Prime Minister John Gorton sent a telegram to The Who telling them never to return to Australia. The Who would not return to Australia again until 2004. They continued to tour across the US and Canada during the first half of the year.

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Neil Young ( b5 )

While playing at The Flamingo, Young met Stephen Stills, whose band the company was playing the same venue, and they became friends. The Squires primarily performed in Winnipeg and rural Manitoba in towns such as Selkirk, Neepawa, Brandon and Giroux (near Steinbach), with a few shows in northern Ontario.

After leaving the Squires, Young worked folk clubs in Winnipeg, where he first met Joni Mitchell. Mitchell recalls Young as having been highly influenced by Bob Dylan at the time. Here he wrote some of his earliest and most enduring folk songs such as "Sugar Mountain", about lost youth. Mitchell wrote "The Circle Game" in response. The Winnipeg band The Guess Who (with Randy Bachman as lead guitarist) had a Canadian Top 40 hit with Young's "Flying on the Ground is Wrong", which was Young's first major success as a songwriter.

In 1965, Young toured Canada as a solo artist. In 1966, while in Toronto, he joined the Rick James-fronted Mynah Birds. The band managed to secure a record deal with the Motown label, but as their first album was being recorded, James was arrested for being AWOL from the Navy Reserve. After the Mynah Birds disbanded, Young and the bass player Bruce Palmer decided to pawn the group's musical equipment and buy a Pontiac hearse, which they used to relocate to Los Angeles. Young admitted in a 2009 interview that he was in the United States illegally until he received a "green card" (permanent residency permit) in 1970.

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