In 1988, they unexpectedly claimed their first U.S. number one single in 22 years with "Kokomo", which topped the chart for one week. It appeared in the film Cocktail and on the album Still Cruisin', which went platinum in the U.S.
Carlin summarized, "Once surfin' pin-ups, they remade themselves as avant-garde pop artists, then psychedelic oracles. After that they were down-home hippies, then retro-hip icons. Eventually they devolved into none of the above: a kind of perpetual-motion nostalgia machine." Music journalist Erik Davis wrote in 1990, "the Beach Boys are either dead, deranged, or dinosaurs; their records are Eurocentric, square, unsampled; they've made too much money to merit hip revisionism." In 1992, critic Jim Miller wrote, "They have become a figment of their own past, prisoners of their unflagging popularity—incongruous emblems of a sunny myth of eternal youth belied by much of their own best music. … The group is still largely identified with its hits from the early Sixties."
Love filed a defamation lawsuit against Brian due to how he was presented in Brian's 1992 memoir Wouldn't It Be Nice: My Own Story. Its publisher HarperCollins settled the suit for $1.5 million. He said that the suit allowed his lawyer "to gain access to the transcripts of Brian's interviews with his [book] collaborator, Todd Gold. Those interviews affirmed—according to Brian—that I had been the inspiration of the group and that I had written many of the songs that [would soon be] in dispute." Other defamation lawsuits were filed by Carl, Brother Records, and the Wilsons' mother Audree. With Love and Brian unable to determine exactly what Love was properly owed in royalties, Love sued Brian in 1992, winning $13 million in 1994 for lost royalties. 35 of the group's songs were then amended to credit Love. He later called it "almost certainly the largest case of fraud in music history".
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