Crosby, Stills, Nash and Young - Carry On ( S1.1 )

 Session drummer Dallas Taylor:

The song was written in the middle of the Deja Vu sessions, when Nash told Stephen they still didn't have an opener for the album. It was something of a message to the group, since it had become a real struggle to keep the band together at that point. Stephen combined two unfinished songs and stuck them onto a jam we'd had out in the studio a few nights before, me on drums and Stephen on a Hammond B-3 organ.

The song was also an inspiration for Led Zeppelin, whose track "Friends" on Led Zeppelin III is generally seen as being inspired by it, including a similar slack-stringed C-tuned acoustic opening.

"Carry On"
Single by Crosby, Stills, Nash & Young
from the album Déjà Vu
A-side	"Teach Your Children"
Released	September 1970
Recorded	November 5, 1969
Genre	Folk rock, psychedelic rock
Length	4:26, 3:16 (radio edit)
Label	Atlantic
Songwriter(s)	Stephen Stills
Producer(s)	Crosby, Stills, Nash & Young
Crosby, Stills, Nash & Young singles chronology
"Ohio" (1970) "Carry On" (1970) "Just a Song Before I Go" (1977)

Crosby, Stills, Nash and Young - Carry On ( S1 )

Carry On is the first song on the album Déjà Vu, by the recording act Crosby, Stills, Nash & Young. Written by Stephen Stills, this song was released as the B-side of "Teach Your Children", and went on to receive steady airplay of its own from AOR radio stations.

The song

When nearing the end of the recording sessions for Déjà Vu, Graham Nash told Stephen Stills that they still didn't have an opening track. Many recording acts or producers prefer to start an album with a particularly catchy song, in order to set the mood and encourage listeners who are checking it out for the first time. Stills took two songs — (one being the song Questions he'd written for and recorded with Buffalo Springfield), and edited them together with parts of a jam session from a few days earlier, to produce one finished piece.

The song is noted for the Bridge section, that makes a transition from the 6/8 rhythm to the 2/4 Rhythm, with the lyric lines sung in Acapella: "Carry on,/ Love is Coming,/ Love is Coming to us All".

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Bob Dylan ( b9 )

Protest and Another Side

"The Times They Are a-Changin'"

0:20

Dylan said of "The Times They Are a-Changin'": "This was definitely a song with a purpose. I wanted to write a big song, some kind of theme song, with short concise verses that piled up on each other in a hypnotic way. The civil rights movement and the folk music movement were pretty close and allied together at that time."

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In May 1963, Dylan's political profile rose when he walked out of The Ed Sullivan Show. During rehearsals, Dylan had been told by CBS television's head of program practices that "Talkin' John Birch Paranoid Blues" was potentially libelous to the John Birch Society. Rather than comply with censorship, Dylan refused to appear

By this time, Dylan and Baez were prominent in the civil rights movement, singing together at the March on Washington on August 28, 1963. Dylan's third album, The Times They Are a-Changin', reflected a more politicized Dylan. The songs often took as their subject matter contemporary stories, with "Only a Pawn in Their Game" addressing the murder of civil rights worker Medgar Evers; and the Brechtian "The Lonesome Death of Hattie Carroll" the death of black hotel barmaid Hattie Carroll, at the hands of young white socialite William Zantzinger. On a more general theme, "Ballad of Hollis Brown" and "North Country Blues" addressed despair engendered by the breakdown of farming and mining communities. This political material was accompanied by two personal love songs, "Boots of Spanish Leather" and "One Too Many Mornings".

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The Beach Boys ( B28 )

 During this time, the group ceased wearing matching uniforms on stage, and Dennis injured his hand, leaving him temporarily unable to play the drums. Dennis continued to make occasional appearances at concerts, singing or playing keyboards, and was replaced on drums by the Flame's Ricky Fataar. In July, the American music press rated the Beach Boys "the hottest grossing act" in the country, alongside Grand Funk Railroad. The band filmed a concert for ABC-TV in Central Park, which aired as Good Vibrations from Central Park on August 19.

On August 30, the band released Surf's Up, which was moderately successful, reaching the U.S. top 30, a marked improvement over their recent releases. While the record charted, the Beach Boys added to their renewed fame by performing a near-sellout set at Carnegie Hall; their live shows during this era included reworked arrangements of many of their previous songs, with their set lists culling from Pet Sounds and Smile. On October 28, the Beach Boys were the featured cover story on that date's issue of Rolling Stone. It included the first part of a lengthy two-part interview, titled "The Beach Boys: A California Saga", conducted by Tom Nolan and David Felton.

Fataar and Blondie Chaplin officially joined the band in early 1972, with Johnston departing shortly thereafter. The new line-up released the comparatively unsuccessful Carl and the Passions – "So Tough" in May 1972, followed by Holland in January 1973.

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The Beatles ( B20 )

 The Help! album, the group's fifth studio LP, mirrored A Hard Day's Night by featuring soundtrack songs on side one and additional songs from the same sessions on side two. The LP contained all original material save for two covers, "Act Naturally" and "Dizzy Miss Lizzy"; they were the last covers the band would include on an album, except for Let It Be's brief rendition of the traditional Liverpool folk song "Maggie Mae". The band expanded their use of vocal overdubs on Help! and incorporated classical instruments into some arrangements, including a string quartet on the pop ballad "Yesterday". Composed by and sung by McCartney – none of the other Beatles perform on the recording – "Yesterday" has inspired the most cover versions of any song ever written. With Help!, the Beatles became the first rock group to be nominated for a Grammy Award for Album of the Year.

The Beatles at a press conference in Minnesota in August 1965, shortly after playing at Shea Stadium in New York

The group's third US tour opened with a performance before a world-record crowd of 55,600 at New York's Shea Stadium on 15 August – "perhaps the most famous of all Beatles' concerts", in Lewisohn's description. A further nine successful concerts followed in other American cities. At a show in Atlanta, the Beatles gave one of the first live performances ever to make use of a foldback system of on-stage monitor speakers. Towards the end of the tour, they met with Elvis Presley, a foundational musical influence on the band, who invited them to his home in Beverly Hills.

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Liam Gallagher ( i1 )

 

Istoric ( 330 )

 27.06.1981 -  Motorhead puncteaza singurul nr 1 din cariera cu albumul No Sleep ‘til Hammersmith.

Megadeth - Killing Is My Business... and Business Is Good! ( D1 )

 

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Bob Dylan ( b8 )

  Freewheelin' also included love songs and surreal talking blues. Humor was an important part of Dylan's persona, and the range of material on the album impressed listeners, including the Beatles. George Harrison said of the album: "We just played it, just wore it out. The content of the song lyrics and just the attitude—it was incredibly original and wonderful".

The rough edge of Dylan's singing unsettled some but was an attraction to others. Novelist Joyce Carol Oates wrote: "When we first heard this raw, very young, and seemingly untrained voice, frankly nasal, as if sandpaper could sing, the effect was dramatic and electrifying". Many early songs reached the public through more palatable versions by other performers, such as Joan Baez, who became Dylan's advocate and lover. Baez was influential in bringing Dylan to prominence by recording several of his early songs and inviting him on stage during her concerts. Others who had hits with Dylan's songs in the early 1960s included the Byrds, Sonny & Cher, the Hollies, Peter, Paul and Mary, the Association, Manfred Mann and the Turtles.

"Mixed-Up Confusion", recorded during the Freewheelin' sessions with a backing band, was released as Dylan's first single in December 1962, but then swiftly withdrawn. In contrast to the mostly solo acoustic performances on the album, the single showed a willingness to experiment with a rockabilly sound. Cameron Crowe described it as "a fascinating look at a folk artist with his mind wandering towards Elvis Presley and Sun Records".

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The Beach Boys ( B27 )

 By the time the Beach Boys' tenure ended with Capitol in 1969, they had sold 65 million records worldwide, closing the decade as the most commercially successful American group in popular music.

After recording over 30 different songs and going through several album titles, their first LP for Reprise, Sunflower, was released on August 31, 1970. Sunflower featured a strong group presence with significant writing contributions from all band members. Brian was active during this period, writing or co-writing seven of Sunflower's 12 songs and performing at half of the band's domestic concerts in 1970. The album received critical acclaim in both the US and the UK. This was offset by the album reaching only number 151 on US record charts during a four-week stay, becoming the worst-selling Beach Boys album at that point. Fans generally regard the LP as the Beach Boys' finest post-Pet Sounds album. In 2003, it placed at number 380 on Rolling Stone's "Greatest Albums of All Time" list.

The Beach Boys performing in Central Park, June 1971

In mid-1970, the Beach Boys hired radio presenter Jack Rieley as their manager. One of his initiatives was to encourage the band to record songs featuring more socially conscious lyrics. He also requested the completion of "Surf's Up" and arranged a guest appearance at a Grateful Dead concert at Bill Graham's Fillmore East in April 1971 to foreground the Beach Boys' transition into the counterculture.

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The Beatles ( B19 )

 He commented: "For me, it was like a flash. The first time I had acid, it just opened up something in my head that was inside of me, and I realised a lot of things. I didn't learn them because I already knew them, but that happened to be the key that opened the door to reveal them. From the moment I had that, I wanted to have it all the time – these thoughts about the yogis and the Himalayas, and Ravi's music." McCartney was initially reluctant to try it, but eventually did so in late 1966. He became the first Beatle to discuss LSD publicly, declaring in a magazine interview that "it opened my eyes" and "made me a better, more honest, more tolerant member of society".

The US trailer for Help! with (from the rear) Harrison, McCartney, Lennon and (largely obscured) Starr

Controversy erupted in June 1965 when Queen Elizabeth II appointed all four Beatles Members of the Order of the British Empire (MBE) after Prime Minister Harold Wilson nominated them for the award. In protest – the honour was at that time primarily bestowed upon military veterans and civic leaders – some conservative MBE recipients returned their insignia.

In July, the Beatles' second film, Help!, was released, again directed by Lester. Described as "mainly a relentless spoof of Bond", it inspired a mixed response among both reviewers and the band. McCartney said: "Help! was great but it wasn't our film – we were sort of guest stars. It was fun, but basically, as an idea for a film, it was a bit wrong." The soundtrack was dominated by Lennon, who wrote and sang lead on most of its songs, including the two singles: "Help!" and "Ticket to Ride".

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Kenney Jones ( i1 )

 

Bob Dylan ( b7 )

 At the end of the play, Dylan performed "Blowin' in the Wind", one of its first public performances. While in London, Dylan performed at London folk clubs, including the Troubadour, Les Cousins, and Bunjies. He also learned material from UK performers, including Martin Carthy.

By the release of Dylan's second album, The Freewheelin' Bob Dylan, in May 1963, he had begun to make his name as a singer-songwriter. Many songs on the album were labeled protest songs, inspired partly by Guthrie and influenced by Pete Seeger's passion for topical songs. "Oxford Town" was an account of James Meredith's ordeal as the first black student to risk enrollment at the University of Mississippi. The first song on the album, "Blowin' in the Wind", partly derived its melody from the traditional slave song, "No More Auction Block", while its lyrics questioned the social and political status quo. The song was widely recorded by other artists and became a hit for Peter, Paul and Mary. Another song, "A Hard Rain's a-Gonna Fall", was based on the folk ballad "Lord Randall". With veiled references to an impending apocalypse, it gained resonance when the Cuban Missile Crisis developed a few weeks after Dylan began performing it. Like "Blowin' in the Wind", "A Hard Rain's a-Gonna Fall" marked a new direction in songwriting, blending a stream-of-consciousness, imagist lyrical attack with traditional folk form.

Dylan's topical songs led to his being viewed as more than just a songwriter. Janet Maslin wrote of Freewheelin': "These were the songs that established [Dylan] as the voice of his generation—someone who implicitly understood how concerned young Americans felt about nuclear disarmament and the growing Civil Rights Movement: his mixture of moral authority and nonconformity was perhaps the most timely of his attributes.

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Johnny Rotten ( i1 )

 

The Beach Boys ( B26 )

 The group's Capitol contract expired two weeks later with one more album still due, after which the label deleted the Beach Boys' catalog from print, effectively cutting off their royalty flow. The lawsuit was later settled in their favor and they acquired the rights to their post-1965 catalog.

In August, Sea of Tunes, the Beach Boys' catalog, was sold to Irving Almo Music for $700,000 (equivalent to $5.17 million in 2021). According to his wife, Marilyn Wilson, Brian was devastated by the sale. Over the years, the catalog generated more than $100 million in publishing royalties, none of which Murry or the band members ever received. That same month, Carl, Dennis, Love, and Jardine sought a permanent replacement for Johnston, with Johnston unaware of this search. They approached Carl's brother-in-law Billy Hinsche, who declined the offer to focus on his college studies.

1970–1978: Reprise era

Sunflower, Surf's Up, Carl and the Passions, and Holland

The group was signed to Reprise Records in 1970. Scott Schinder described the label as "probably the hippest and most artist-friendly major label of the time." The deal was brokered by Van Dyke Parks, who was then employed as a multimedia executive at Warner Music Group. Reprise's contract stipulated Brian's proactive involvement with the band in all albums.

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The Beatles ( B18 )

 City officials relented and agreed to allow an integrated show. The group also cancelled their reservations at the whites-only Hotel George Washington in Jacksonville. For their subsequent US tours in 1965 and 1966, the Beatles included clauses in contracts stipulating that shows be integrated.

Beatles for Sale, Help! and Rubber Soul

According to Gould, the Beatles' fourth studio LP, Beatles for Sale, evidenced a growing conflict between the commercial pressures of their global success and their creative ambitions. They had intended the album, recorded between August and October 1964, to continue the format established by A Hard Day's Night which, unlike their first two LPs, contained only original songs. They had nearly exhausted their backlog of songs on the previous album, however, and given the challenges constant international touring posed to their songwriting efforts, Lennon admitted, "Material's becoming a hell of a problem". As a result, six covers from their extensive repertoire were chosen to complete the album. Released in early December, its eight original compositions stood out, demonstrating the growing maturity of the Lennon–McCartney songwriting partnership.

In early 1965, following a dinner with Lennon, Harrison and their wives, Harrison's dentist, John Riley, secretly added LSD to their coffee. Lennon described the experience: "It was just terrifying, but it was fantastic. I was pretty stunned for a month or two." He and Harrison subsequently became regular users of the drug, joined by Starr on at least one occasion. Harrison's use of psychedelic drugs encouraged his path to meditation and Hinduism.

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Istoric ( 329 )

 27.06.1991 - Santana este arestat pentru posesie de droguri in Houston.

Bob Dylan ( b6 )

 That month, Dylan played harmonica on folk singer Carolyn Hester's third album, bringing him to the attention of the album's producer John Hammond, who signed Dylan to Columbia Records. Dylan's first album, Bob Dylan, released March 19, 1962, consisted of familiar folk, blues and gospel with just two original compositions. The album sold 5,000 copies in its first year, just enough to break even.

Joan Baez and Dylan during the civil rights "March on Washington for Jobs and Freedom", August 28, 1963

In August 1962, Dylan took two decisive steps in his career. He changed his name to Bob Dylan, and he signed a management contract with Albert Grossman. Grossman remained Dylan's manager until 1970, and was known for his sometimes confrontational personality and protective loyalty. Dylan said, "He was kind of like a Colonel Tom Parker figure ... you could smell him coming.'' Tension between Grossman and John Hammond led to the latter suggesting Dylan work with the young African-American jazz producer Tom Wilson, who produced several tracks for the second album without formal credit. Wilson produced the next three albums Dylan recorded.

Dylan made his first trip to the United Kingdom from December 1962 to January 1963. He had been invited by television director Philip Saville to appear in a drama, Madhouse on Castle Street, which Saville was directing for BBC Television. 

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Genesis - In The Beginning ( L2 )

Ocean of motion
Squirming around and up and down
Pushing together
Scattering mountains all around you

That is the sound of a new born world
And the light from a curious sky
It has begun
You're in the hands of destiny

Thrashing with violence
Hurling its lava up and down
Furnace of frenzy
Burning with power uncontrolled

That is the sound of a new born world
And the light from a curious sky
It has begun
You're in the hands of destiny

Is that the chariot with stallions gold?
Is that a prince of heaven on the ground?
Is that the roar of a thundercrash?
This is my world and it's waiting to be crowned
Father, son, looks down with happiness
Life is on its way

Ocean of motion
Squirming around and up and down
Pushing together
Scattering mountains all around you

That is the sound of a new born world
And the light from a curious sky
It has begun
You're in the hands of destiny

Is that the chariot with stallions gold?
Is that a prince of heaven on the ground?
Is that the roar of a thundercrash?
This is my world and it's waiting to be crowned
Father, son, looks down with happiness
Life is on its way

The Beach Boys ( B25 )

 The Beach Boys recorded one song by Manson without his involvement: "Cease to Exist", rewritten as "Never Learn Not to Love", which was included on 20/20. As his cult of followers took over Dennis's home, Dennis gradually distanced himself from Manson. According to Leaf, "The entire Wilson family reportedly feared for their lives."

In August, the Manson Family committed the Tate–LaBianca murders. According to Jon Parks, the band's tour manager, it was widely suspected in the Hollywood community that Manson was responsible for the murders, and it had been known that Manson had been involved with the Beach Boys, causing the band to be viewed as pariahs for a time. In November, police apprehended Manson, and his connection with the Beach Boys received media attention. He was later convicted for several counts of murder and conspiracy to murder.

Selling of the band's publishing

In April 1969, the band revisited its 1967 lawsuit against Capitol after it alleged an audit revealed the band was owed over $2 million for unpaid royalties and production duties. In May, Brian told the music press that the group's funds were depleted to the point that it was considering filing for bankruptcy at the end of the year, which Disc & Music Echo called "stunning news" and a "tremendous shock on the American pop scene". Brian hoped that the success of a forthcoming single, "Break Away", would mend the financial issues. The song, written and produced by Brian and Murry, reached number 63 in the US and number 6 in the UK, and Brian's remarks to the press ultimately thwarted long-simmering contract negotiations with Deutsche Grammophon

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The Beatles ( B17 )

 Gould points out the musical and cultural significance of this meeting, before which the musicians' respective fanbases were "perceived as inhabiting two separate subcultural worlds": Dylan's audience of "college kids with artistic or intellectual leanings, a dawning political and social idealism, and a mildly bohemian style" contrasted with their fans, "veritable 'teenyboppers' – kids in high school or grade school whose lives were totally wrapped up in the commercialised popular culture of television, radio, pop records, fan magazines, and teen fashion. To many of Dylan's followers in the folk music scene, the Beatles were seen as idolaters, not idealists."

Within six months of the meeting, according to Gould, "Lennon would be making records on which he openly imitated Dylan's nasal drone, brittle strum, and introspective vocal persona"; and six months after that, Dylan began performing with a backing band and electric instrumentation, and "dressed in the height of Mod fashion". As a result, Gould continues, the traditional division between folk and rock enthusiasts "nearly evaporated", as the Beatles' fans began to mature in their outlook and Dylan's audience embraced the new, youth-driven pop culture.

During the 1964 US tour, the group were confronted with racial segregation in the country at the time. When informed that the venue for their 11 September concert, the Gator Bowl in Jacksonville, Florida, was segregated, the Beatles said they would refuse to perform unless the audience was integrated. Lennon stated: "We never play to segregated audiences and we aren't going to start now ... I'd sooner lose our appearance money.

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Dire Straits - Water Of Love ( L2 )

High and dry in the long hot day

Lost and lonely every way
Got the flats all around, sky up above
Yes, I need a little water of love

I've been too long lonely and my heart feel pain
Crying out for some soothing rain
I believe I have taken enough
Yes, I need a little water of love

Water of love deep in the ground
But there ain't no water here to be found
Someday baby when the river runs free
It's gonna carry that water of love to me

There's a bird up in a tree sitting up high
Just awaiting for me to die
If I don't get some water soon
I'll be dead and gone in the afternoon

Water of love deep in the ground
But there ain't no water here to be found
Someday baby when the river runs free
It's gonna carry that water of love to me

Once I had a woman I could call my own
Once I had a woman. Now my woman—she gone
Once there was a river now there's a stone
You know it's evil when you're living alone

Water of love deep in the ground
But there ain't no water here to be found
Someday baby when the river runs free
It's gonna carry that water of love to me

Carry that water of love deep in the ground
But there ain't no water here to be found
Someday baby when the river runs free
It's gonna carry that water of love to me

Bob Dylan ( b5 )

 During this period, he began to introduce himself as "Bob Dylan". In his memoir, he wrote that he considered adopting the surname Dillon before unexpectedly seeing poems by Dylan Thomas, and deciding upon that less common variant. Explaining his change of name in a 2004 interview, he said, "You're born, you know, the wrong names, wrong parents. I mean, that happens. You call yourself what you want to call yourself. This is the land of the free."

1960s

Relocation to New York and record deal

In May 1960, Dylan dropped out of college at the end of his first year. In January 1961, he traveled to New York City to perform there and visit his musical idol Woody Guthrie, who was seriously ill with Huntington's disease in Greystone Park Psychiatric Hospital. Guthrie had been a revelation to Dylan and influenced his early performances. Describing Guthrie's impact, he wrote: "The songs themselves had the infinite sweep of humanity in them... [He] was the true voice of the American spirit. I said to myself I was going to be Guthrie's greatest disciple". As well as visiting Guthrie in hospital, Dylan befriended Guthrie's protégé Ramblin' Jack Elliott. Much of Guthrie's repertoire was channeled through Elliott, and Dylan paid tribute to Elliott in Chronicles: Volume One. Dylan later said he was influenced by African-American poets he heard on the New York streets, especially Big Brown.

From February 1961, Dylan played at clubs around Greenwich Village, befriending and picking up material from folk singers there, including Dave Van Ronk, Fred Neil, Odetta, the New Lost City Ramblers and Irish musicians the Clancy Brothers and Tommy Makem. He often accompanied other musicians on harmonica, which led to Dylan filling in for the ailing Sonny Terry on Harry Belafonte's 1962 album Midnight Special. Dylan later described this session as "my professional recording debut." In September, The New York Times critic Robert Shelton boosted Dylan's career with a very enthusiastic review of his performance at Gerde's Folk City: "Bob Dylan: A Distinctive Folk-Song Stylist"

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Crosby, Stills, Nash and Young ( I1 )

 

The Beach Boys ( B24 )

 After meeting Maharishi Mahesh Yogi at a UNICEF Variety Gala in Paris, Love and other high-profile celebrities such as the Beatles and Donovan traveled to Rishikesh, India, in February–March 1968. The following Beach Boys album, Friends, had songs influenced by the Transcendental Meditation the Maharishi taught. In support of Friends, Love arranged for the Beach Boys to tour with the Maharishi in the U.S. Starting on May 3, 1968, the tour lasted five shows and was canceled when the Maharishi withdrew to fulfill film contracts. Because of disappointing audience numbers and the Maharishi's withdrawal, 24 tour dates were canceled at a cost estimated at $250,000. Friends, released on June 24, peaked at number 126 in the US. In August, Capitol issued a collection of Beach Boys backing tracks, Stack-o-Tracks. It was the first Beach Boys LP that failed to chart in the US and UK.

Dennis in 1966

In June 1968, Dennis befriended Charles Manson, an aspiring singer-songwriter, and their relationship lasted for several months. Dennis bought him time at Brian's home studio, where recording sessions were attempted while Brian stayed in his room. Dennis then proposed that Manson be signed to Brother Records. Brian reportedly disliked Manson, and a deal was never made. In July 1968, the group released a standalone single, "Do It Again", in the style of their earlier songs. Around this time, Brian admitted himself to a psychiatric hospital; his bandmates wrote and produced material in his absence. Released in January 1969, the album 20/20 consisted mostly of outtakes and leftovers from recent albums; Brian produced virtually none of the newer recordings.

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Diverse ( 235 )

 

The Beatles ( B16 )

 United Artists released a full soundtrack album for the North American market, combining Beatles songs and Martin's orchestral score; elsewhere, the group's third studio LP, A Hard Day's Night, contained songs from the film on side one and other new recordings on side two. According to Erlewine, the album saw them "truly coming into their own as a band. All of the disparate influences on their first two albums coalesced into a bright, joyous, original sound, filled with ringing guitars and irresistible melodies." That "ringing guitar" sound was primarily the product of Harrison's 12-string electric Rickenbacker, a prototype given to him by the manufacturer, which made its debut on the record.

1964 world tour, meeting Bob Dylan, and stand on civil rights

McCartney, Harrison and Lennon performing on Dutch TV in 1964

Touring internationally in June and July, the Beatles staged 37 shows over 27 days in Denmark, the Netherlands, Hong Kong, Australia and New Zealand. In August and September, they returned to the US, with a 30-concert tour of 23 cities. Generating intense interest once again, the month-long tour attracted between 10,000 and 20,000 fans to each 30-minute performance in cities from San Francisco to New York.

In August, journalist Al Aronowitz arranged for the Beatles to meet Bob Dylan. Visiting the band in their New York hotel suite, Dylan introduced them to cannabis.

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Yes - Yes ( D1 )

 

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Bob Dylan ( b4 )

Dylan's father Abram Zimmerman and his mother Beatrice "Beatty" Stone were part of a small, close-knit Jewish community. They lived in Duluth until Dylan was six, when his father contracted polio and the family returned to his mother's hometown, Hibbing, where they lived for the rest of Dylan's childhood, and his father and paternal uncles ran a furniture and appliance store. In his early years he listened to the radio—first to blues and country stations from Shreveport, Louisiana, and later, when he was a teenager, to rock and roll.

Dylan formed several bands while attending Hibbing High School. In the Golden Chords, he performed covers of songs by Little Richard and Elvis Presley. Their performance of Danny & the Juniors' "Rock and Roll Is Here to Stay" at their high school talent show was so loud that the principal cut the microphone. In 1959, Dylan's high school yearbook carried the caption "Robert Zimmerman: to join 'Little Richard'". That year, as Elston Gunnn, he performed two dates with Bobby Vee, playing piano and clapping. In September 1959, Dylan moved to Minneapolis and enrolled at the University of Minnesota. His focus on rock and roll gave way to American folk music, as he explained in a 1985 interview:

The thing about rock'n'roll is that for me anyway it wasn't enough ... There were great catch-phrases and driving pulse rhythms ... but the songs weren't serious or didn't reflect life in a realistic way. I knew that when I got into folk music, it was more of a serious type of thing. The songs are filled with more despair, more sadness, more triumph, more faith in the supernatural, much deeper feelings.

Living at the Jewish-centric fraternity Sigma Alpha Mu house, Dylan began to perform at the Ten O'Clock Scholar, a coffeehouse a few blocks from campus, and became involved in the Dinkytown folk music circuit.

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Istoric ( 328 )

 07.01.1993 - REM concerteaza in cadrul unui eveniment caritabil organizat de Greenpeace in „40 watt Club” din Atena, in fata a doar 500 de oameni.