By The Who Sell Out, he began to work narrative and characters into songs, which he fully developed by Tommy, including spiritual themes influenced by Baba. From the mid-1970s onwards, his songs tended to be more personal, which influenced his decision to go solo.
Entwistle's songs, by contrast, typically feature black humour and darker themes. His two contributions to Tommy ("Cousin Kevin" and "Fiddle About") appeared because Townshend did not believe he could write songs as "nasty" as Entwistle's.
Personal relationships
—Roger Daltrey, 1965
—Keith Moon, 1965
The Who are perceived as having had a poor working relationship. In the original band, Sandom had been the peacemaker and settled disputes. Moon, by contrast, was as volatile as Daltrey and Townshend. Entwistle was too passive to become involved in arguments. The group established their live reputation and stage show in part out of insecurity and aggression amongst its members, and Townshend recalled that all decisions had to be made democratically "because we always disagreed".
The only genuine friendship in the Who during the 1960s was between Entwistle and Moon. The pair enjoyed each other's sense of humour and shared a fondness for clubbing. Journalist Richard Green noted a "chemistry of playfullness that would go beyond playfullness".
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