His rhythm playing frequently used seventh chords and suspended fourths, and he is associated with the power chord, an easy-to-finger chord built from the root and fifth that has since become a fundamental part of the rock guitar vocabulary. Townshend also produced noises by manipulating controls on his guitar and by allowing the instrument to feedback.
In the group's early career, Townshend favoured Rickenbacker guitars as they allowed him to fret rhythm guitar chords easily and move the neck back and forwards to create vibrato. From 1968 to 1973, he favoured a Gibson SG Special live, and later used customised Les Pauls in different tunings.In the studio for Who's Next and thereafter, Townshend used a 1959 Gretsch 6120 Chet Atkins hollow-body guitar, a Fender Bandmaster amp and an Edwards volume pedal, all gifts from Joe Walsh. Townshend started his career with an acoustic guitar and has regularly recorded and written with a Gibson J-200.
Bass
A distinctive part of the original band's sound was Entwistle's lead bass playing, while Townshend concentrated on rhythm and chords. Entwistle's was the first popular use of Rotosound strings in 1966, trying to find a piano-like sound.
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