The band changed their set towards soul, rhythm and blues and Motown covers, and created the slogan "Maximum R&B".
In June 1964, during a performance at the Railway, Townshend accidentally broke the head of his guitar on the low ceiling of the stage. Angered by the audience's laughter, he smashed the instrument on the stage, then picked up another guitar and continued the show. The following week, the audience were keen to see a repeat of the event. Moon obliged by kicking his drum kit over, and auto-destructive art became a feature of the Who's live set.
First singles and My Generation
By late 1964, the Who were becoming popular in London's Marquee Club, and a rave review of their live act appeared in Melody Maker. Lambert and Stamp attracted the attention of the American producer Shel Talmy, who had produced the Kinks. Townshend had written a song, "I Can't Explain", that deliberately sounded like the Kinks to attract Talmy's attention. Talmy saw the group in rehearsals and was impressed. He signed them to his production company, and sold the recording to the US arm of Decca Records, which meant that the group's early singles were released in Britain on Brunswick Records, one of UK Decca's labels for US artists. "I Can't Explain" was recorded in early November 1964 at Pye Studios in Marble Arch with the Ivy League on backing vocals, and Jimmy Page played fuzz guitar on the B-side, "Bald Headed Woman".
"I Can't Explain" became popular with pirate radio stations such as Radio Caroline
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