Also in 1968, after playing before 80,000 at the first annual Newport Pop Festival in September, Canned Heat left for their first European tour. It entailed a month of concert performances and media engagements that included television appearances on the British show Top of the Pops. They also appeared on the German program Beat Club, where they lip-synched "On the Road Again" as it rose to number one in both countries and in practically all of Europe.
"Going Up the Country" and Woodstock
In October the band released their third album, Living the Blues, which included "Going Up the Country", their best-known song. Wilson's incarnation of Henry Thomas' "Bull-Doze Blues" was almost a note-for-note copy of the original, including Thomas' instrumental break on the "quills" (pan-pipes) which Jim Horn duplicated on flute. Wilson rewrote the lyrics with a simple message that caught the "back-to-nature" attitude of the late 1960s. The song was a hit in numerous countries around the world (#11 on the U.S. national chart) and would go on to become the unofficial theme song of the Woodstock Festival as captured in Michael Wadleigh's 1970 documentary. The album also included a 19-minute experimental track "Parthenogenesis", which was a nine-part sound collage of blues, ragas, jaw-harp sounds, guitar distortion and other electronic effects; all pulled together under the direction of manager/producer, Skip Taylor. Longer still is "Refried Boogie", clocking in at over 40 minutes, recorded live at the Kaleidoscope.
Also recorded live at the Kaleidoscope around this time was the album which would find later 1971 release with the deceptive title, Live At Topanga Corral (later renamed Live at the Kaleidoscope), under Wand Records because Liberty Records did not want to release a live album at the time and manager Skip Taylor did not want a lawsuit. The band would end 1968 in a big way at a New Year's show at the Shrine Auditorium, in Los Angeles, with Bob Hite riding a painted purple dayglo elephant to the stage.
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