1969 was also the year Zappa, fed up with the label's interference, left MGM Records for Warner Bros.' Reprise subsidiary, where Zappa/Mothers recordings would bear the Bizarre Records imprint.
In late 1969, Zappa broke up the band. He often cited the financial strain as the main reason, but also commented on the band members' lack of sufficient effort. Many band members were bitter about Zappa's decision, and some took it as a sign of Zappa's concern for perfection at the expense of human feeling. Others were irritated by 'his autocratic ways', exemplified by Zappa's never staying at the same hotel as the band members. Several members would, however, play for Zappa in years to come. He did, however, start recruiting new band members at this time, even asking Micky Dolenz from The Monkees to join. Zappa had appeared on the series and in the movie Head. Remaining recordings with the band from this period were collected on Weasels Ripped My Flesh and Burnt Weeny Sandwich (both released in 1970).
George and Estrada formed Little Feat with Richie Hayward and Bill Payne after The Mothers disbanded.
Rebirth of the Mothers and filmmaking (1970)
Later in 1970, Zappa formed a new version of the Mothers (from then on, he mostly dropped the "of Invention"). It included British drummer Aynsley Dunbar, jazz keyboardist George Duke, Ian Underwood, Jeff Simmons (bass, rhythm guitar), and three members of the Turtles: bass player Jim Pons, and singers Mark Volman and Howard Kaylan, who, due to persistent legal and contractual problems, adopted the stage name "The Phlorescent Leech and Eddie", or "Flo & Eddie".
This version of the Mothers debuted on Zappa's next solo album Chunga's Revenge (1970), which was followed by the double-album soundtrack to the movie 200 Motels (1971), featuring the Mothers, the Royal Philharmonic Orchestra, Ringo Starr, Theodore Bikel, and Keith Moon.
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