Unlike most bands, the Stones follow Richards' lead rather than the drummer's (Watts). Likewise, Watts is primarily a jazz player who was able to bring that genre's influences to the style of the band's drumming. The following of Richards' lead has led to conflicts between Jagger and Richards and they have been known to annoy one another, but they have both agreed it makes a better record; Watts in particular has praised Jagger's production skills. In the studio, the band have tended to use a fluid personnel for recordings and not use the same players for each song. Guest pianists were commonplace on recordings; several songs on Beggars Banquet are driven by Nicky Hopkins' piano playing. On Exile on Main St., Richards plays bass on three tracks while Taylor plays on four.
Richards started using open tunings for rhythm parts (often in conjunction with a capo), most prominently an open-E or open-D tuning in 1968. Beginning in 1969, he often used 5-string open-G tuning (with the lower 6th string removed), as heard on the 1969 single "Honky Tonk Women", "Brown Sugar" (Sticky Fingers, 1971), "Tumbling Dice" (capo IV), "Happy" (capo IV) (Exile on Main St., 1972), and "Start Me Up" (Tattoo You, 1981).
The feuds between Jagger and Richards originated in the 1970s when Richards was a heroin addict, resulting in Jagger managing the band's affairs for many years. When Richards got himself off heroin and became more present in decision making, Jagger was not used to it and did not like his authority diminished. This led to the period Richards has referred to as "World War III".
Musical collaboration between members of the band and supporting musicians was key, due to the fluid lineups typically experienced by the band in the studio, as tracks tended to be recorded "by whatever members of the group happened to be around at the time of the sessions". Over time, Jagger has developed into the template for rock frontmen and, with the help of the Stones, has, in the words of the Telegraph, "changed music" through his contributions to it as a pioneer of the modern music industry.
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