While in prison on a drug offence, Stevens had read the Willard Manus novel Mott the Hoople about an eccentric who works in a circus freak show, and decided to use it as a band name. Silence reluctantly agreed to a name change following their early 1969 audition for Stevens.
The band's debut album, Mott the Hoople (1969), recorded in only a week, was a cult success. Their repertoire included cover versions of "Laugh at Me" (Sonny Bono) and "At the Crossroads" (Doug Sahm's Sir Douglas Quintet), and an instrumental cover of "You Really Got Me" (The Kinks).
The second album, Mad Shadows (1970), sold poorly and received generally negative reviews. Wildlife (1971) fared even worse (despite gaining the highest UK album chart position of the band's pre-Glam years), and flirted with an overtly country-hippie stance and accordingly (usually) acoustic instrumentation. On 10 October 1970, Mott the Hoople and Bridget St John were showcased on BBC Two's Disco 2. Even though the group was building a decent following, Brain Capers (1971) failed to sell well. The group decided to split following a depressing concert in a disused gas holder in Switzerland. When combined with an aborted UK tour with The Lothringers, the band was close to breaking up.
Glam years
David Bowie had long been a fan of the band. After learning from Watts that they were about to split, he persuaded them to stay together and offered them "Suffragette City" from his then yet-to-be-released Ziggy Stardust album. They turned it down. Bowie also penned "All the Young Dudes" for them and it became their biggest hit. Released as a single in July 1972, it was a success in the UK, with the band using Tippins – who by this time was their tour manager – to sing backing vocals during concert. Bowie produced an album, also called All the Young Dudes, which included a Mick Ronson strings and brass arrangement for "Sea Diver".
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