The album blended elements of radio-friendly rock with a more structurally ambitious approach taken from the band's progressive blueprint, with the fifteen-minute track "Endless Dream". The album reached number 20 in the UK and number 33 in the US. The track "The Calling" reached number 2 on the Billboard Hot Mainstream Rock Tracks chart and "Walls", which Rabin had written with former Supertramp songwriter and co-founder Roger Hodgson, peaked at number 24. It also became Yes's second-to-last charting single. Rabin and Hodgson wrote a lot of material together and became close friends. Yes performed "Walls" on Late Show with David Letterman on 20 June 1994.
The 1994 tour (for which the band included side man Billy Sherwood on additional guitar and keyboards) used a sound system developed by Rabin named Concertsonics which allowed the audience located in certain seating areas to tune portable FM radios to a specific frequency, so they could hear the concert with headphones. In early 1995, following the tour, Rabin, feeling that he had achieved his highest ambitions with Talk, lamented its disappointing reception as being "just wasn't what people wanted to hear at the time" and noted at the conclusion of the tour that "I think I'm done" and returned to LA where he shifted his focus to composing for films. Kaye also left Yes to pursue other projects.
Keys to Ascension, Open Your Eyes and The Ladder (1995–2000)
In November 1995, Anderson, Squire, and White resurrected the "classic" 1970s line-up of Yes by inviting Wakeman and Howe back to the band, recording two new lengthy tracks called "Be the One" and "That, That Is".
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