Meanwhile, Squire encountered Jon Anderson (who, since leaving Yes, had released two solo albums and had success with the Jon and Vangelis project) at a Los Angeles party and played him the Cinema demo tracks. Anderson was invited into the project as lead singer and joined in April 1983 during the last few weeks of the sessions, having comparatively little creative input beyond adding his lead vocals and re-writing some lyrics.
At the suggestion of record company executives, Cinema then changed their name to Yes in June 1983. Rabin initially objected to this, as he now found that he had inadvertently joined a reunited band with a history and expectations, rather than help launch a new group. However, the presence of four former Yes members in the band (three of whom were founding members, including the distinctive lead singer) suggested that the name change was sound commercial strategy. The new album marked a radical change in style as the revived Yes had adopted a pop rock sound that showed little of their progressive roots. This incarnation of the band has sometimes been informally referred to as "Yes-West", reflecting the band's new base in Los Angeles rather than London.
Yes released their comeback album 90125 (named after its catalogue serial number on Atco Records) in November 1983. It became their biggest-selling album, certified by the RIAA at triple-platinum (3 million copies) in sales in the US, and introduced the band to younger fans. "Owner of a Lonely Heart" topped the Hot Mainstream Rock Tracks chart for four weeks, and went on to reach the number one spoton the Billboard Hot 100 singles chart, the only single from Yes to do so, for two weeks in January 1984. Kaye's short-term replacement on keyboards, Eddie Jobson, appeared briefly in the original video but was edited out as much as possible once Kaye had been persuaded to return to the band.
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