This created the Deep Purple Mark II line-up, whose first release was a Greenaway-Cook tune titled "Hallelujah". At the time of its recording, Nick Simper still thought he was in the band, and had called the studio to inquire about the recording dates for the song. He then found that the song had already been recorded with Glover on bass. The remaining original members of Deep Purple then instructed management to inform Simper that he had been officially replaced.
Despite television appearances to promote the "Hallelujah" single in the UK, the song flopped. Blackmore had told the British weekly music newspaper Record Mirror they "need to have a commercial record in Britain", and described the song as "an in-between sort of thing"—a median between what the band would normally make but with an added commercial motive.
The band gained some much-needed publicity in September 1969, with the Concerto for Group and Orchestra, a three-movement epic composed by Lord as a solo project and performed by the band at the Royal Albert Hall in London with the Royal Philharmonic Orchestra, conducted by Malcolm Arnold. Together with Days of Future Passed by the Moody Blues and Five Bridges by the Nice, it was one of the first collaborations between a rock band and an orchestra. This live album became their first album with any kind of chart success in the UK. Gillan and Blackmore were less than happy at the band being tagged as "a group who played with orchestras", both feeling that the Concerto was a distraction that would get in the way of developing their desired hard-rocking style. Lord acknowledged that while the band members were not keen on the project going in, at the end of the performance "you could put the five smiles together, and it would have spanned the Thames." Lord would also write the Gemini Suite, another orchestra/group collaboration in the same vein, for the band in late 1970. In 1975, Blackmore stated that he thought the Concerto for Group and Orchestra wasn't bad but the Gemini Suite was horrible and very disjointed. Roger Glover later claimed Jon Lord had appeared to be the leader of the band in the early years.
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