A research team undertook a study in 2016 to understand the appeal behind Mercury's voice. Led by Professor Christian Herbst, the team identified his notably faster vibrato and use of subharmonics as unique characteristics of Mercury's voice, particularly in comparison to opera singers, and confirmed a vocal range from F#2 to G5 (just over 3 octaves) but were unable to confirm claims of a 4-octave range. The research team studied vocal samples from 23 commercially available Queen recordings, his solo work, and a series of interviews of the late artist. They also used an endoscopic video camera to study a rock singer brought in to imitate Mercury's singing voice.
Songwriter
Mercury wrote 10 of the 17 songs on Queen's Greatest Hits album: "Bohemian Rhapsody", "Seven Seas of Rhye", "Killer Queen", "Somebody to Love", "Good Old-Fashioned Lover Boy", "We Are the Champions", "Bicycle Race", "Don't Stop Me Now", "Crazy Little Thing Called Love", and "Play the Game". In 2003 Mercury was posthumously inducted into the Songwriters Hall of Fame, and in 2005 he was posthumously awarded an Ivor Novello Award for Outstanding Song Collection from the British Academy of Songwriters, Composers and Authors.
The most notable aspect of his songwriting involved the wide range of genres that he used, which included, among other styles, rockabilly, progressive rock, heavy metal, gospel, and disco. As he explained in a 1986 interview, "I hate doing the same thing again and again and again. I like to see what's happening now in music, film and theatre and incorporate all of those things." Compared to many popular songwriters, Mercury also tended to write musically complex material. For example, "Bohemian Rhapsody" is acyclic in structure and comprises dozens of chords. He also wrote six songs from Queen II which deal with multiple key changes and complex material. "Crazy Little Thing Called Love", on the other hand, contains only a few chords. Despite the fact that Mercury often wrote very intricate harmonies, he also claimed that he could barely read music. He wrote most of his songs on the piano and used a wide variety of different key signatures.
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