Some of Hendrix's unfinished material was released as the 1971 title The Cry of Love. Although the album reached number three in the U.S. and number two in the UK, producers Mitchell and Kramer later complained that they were unable to make use of all the available songs because some tracks were used for 1971's Rainbow Bridge; still others were issued on 1972's War Heroes. Material from The Cry of Love was re-released in 1997 as First Rays of the New Rising Sun, along with the other tracks that Mitchell and Kramer had wanted to include.
In 1993, MCA Records delayed a multimillion-dollar sale of Hendrix's publishing copyrights because Al Hendrix was unhappy about the arrangement. He acknowledged that he had sold distribution rights to a foreign corporation in 1974, but stated that it did not include copyrights and argued that he had retained veto power of the sale of the catalogue. Under a settlement reached in July 1995, Al Hendrix prevailed in his legal battle and regained control of his son's song and image rights. He subsequently licensed the recordings to MCA through the family-run company Experience Hendrix LLC, formed in 1995. In August 2009, Experience Hendrix announced that it had entered a new licensing agreement with Sony Music Entertainment's Legacy Recordings division which would take effect in 2010.Legacy and Experience Hendrix launched the 2010, Jimi Hendrix Catalog Project, starting with the release of Valleys of Neptune in March of that year. In the months before his death, Hendrix recorded demos for a concept album tentatively titled Black Gold, which are now in the possession of Experience Hendrix LLC; as of 2013, no official release date has been announced.
Equipment
Guitars and amplifiers
Hendrix played a variety of guitars throughout his career, but the instrument that became most associated with him was the Fender Stratocaster. He acquired his first Stratocaster in 1966, when a girlfriend loaned him enough money to purchase a used one that had been built around 1964. He thereafter used the model prevalently during performances and recordings.
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