The Mamas and The Papas - Monday, Monday ( L1 )

Monday, Monday, so good to me;
Monday morning, it was all I hoped it would be.
Oh, Monday morning, Monday morning couldn't guarantee
That Monday evening you would still be here with me.
Monday, Monday, can't trust that day;
Monday, Monday, sometimes it just turns out that way.
Oh, Monday morning, you gave me no warning of what was to be.
Oh, Monday, Monday, how could you leave and not take me?
Every other day, every other day
Every other day of the week is fine, yeah.
But whenever Monday comes - but whenever Monday comes
You can find me crying all of the time.
Monday, Monday, so good to me;
Monday morning, it was all I hoped it would be.
But Monday morning, Monday morning couldn't guarantee
That Monday evening you would still be here with me.
Every other day, every other day
Every other day of the week is fine, yeah.
But whenever Monday comes - but whenever Monday comes
You can find me crying all of the time.
Monday, Monday, can't trust that day;
Monday, Monday, it just turns out that way.
Oh, Monday, Monday, won't go away;
Monday, Monday, it's here to stay.
Oh Monday, Monday
Oh Monday, Monday

Istoric ( 43 )

24.12.1988 - , American glam metal band Poison started a three-week run at No.1 on the US singles chart with ‘Every Rose Has Its Thorn.’

Spooky Tooth ( B1 )

Spooky Tooth was an English rock band principally active between 1967 and 1974. In recent years, the band had been re-formed on several occasions and released the album Cross Purpose (1999) and the DVD Nomad Poets (2007).

History

Prior to Spooky Tooth, four of the band's five founding members had performed in the band Art (formerly known as The V.I.P.s). Following the dissolution of Art, the members' of that band's final line-up (guitarist Luke Grosvenor, vocalist Mike Harrison, drummer Mike Kellie, and bassist Greg Ridley) joined forces with American keyboardist/vocalist Gary Wright in October 1967 and formed Spooky Tooth. Wright was introduced to the members of Art by Chris Blackwell, founder of Island Records.

The album Spooky Two (1969) was the last album release by the original lineup. It included the song "Better by You, Better than Me", which was covered by Judas Priest on their release Stained Class (1978).

Ridley joined Humble Pie in 1969 and was replaced by Andy Leigh for the album Ceremony (1969). The experimental nature of Ceremony received mixed reviews and following its release Wright left the band. Harrison, Grosvenor and Kellie remained and recorded the album The Last Puff, with members of Joe Cocker's Grease Band.

In the autumn of 1970 the band embarked on a European tour that was undertaken with line-up of Harrison, Grosvenor, Kellie, keyboardist John Hawken (ex-Nashville Teens) and bassist Steve Thompson. Harrison and Wright reformed Spooky Tooth in September 1972 with a different line-up. The best known member of these line-ups was guitarist and vocalist Mick Jones. Mike Patto replaced Harrison when they recorded The Mirror (1974). They disbanded in November 1974.

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Thin Lizzy ( B9 )

Before a tour of Japan beginning in September, Lynott decided to bring in another guitarist, Dave Flett, who had played with Manfred Mann's Earth Band, to enable Ure to switch to playing keyboards where necessary. The tour was completed successfully, but the line-up now contained two temporary members, and Lynott was spending a lot of time on projects outside Thin Lizzy, including composing and producing material for other bands, as well as putting together his first solo album, Solo in Soho. Lynott also reactivated The Greedy Bastards, who released a one-off Christmas single, "A Merry Jingle", in December 1979 as simply The Greedies. With the group now composed of Lynott, Gorham and Downey with Sex Pistols Jones and Cook, the single reached no. 28 in the UK.

Later years and break-up (1980–1983)

While Lynott searched for a permanent guitarist, he and the other members of Thin Lizzy, past and present, worked on Solo in Soho which was released in April 1980, and the next Thin Lizzy album, Chinatown. Lynott got married on 14 February, and his wife gave birth to a second daughter in July. Dave Flett had hoped to be made a permanent member of Thin Lizzy but Lynott chose Snowy White, who had played with Pink Floyd and Peter Green. Midge Ure was still acting as a temporary keyboard player at gigs during early 1980, but was replaced by Darren Wharton in April, shortly after White joined the band. Wharton was only 17 at the time and was initially hired on a temporary basis. This new line-up completed the Chinatown album between short tours, and two singles were released from it. The first, "Chinatown", reached no. 21 in the UK, but the second, "Killer on the Loose", reached the top 10 amid much adverse publicity due to the ongoing activities of serial killer Peter Sutcliffe, known as "The Yorkshire Ripper".

Chinatown was finally released in October 1980, and reached no. 7 in the UK, but by this time Thin Lizzy albums were not even reaching the top 100 in the US. After a successful tour of Japan and Australia, the band undertook what was to be their final tour of the US in late 1980. At the beginning of 1981, Lynott began work on his second solo album, using Thin Lizzy members among a large group of backing musicians.

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Jimi Hendrix ( b33 )

The blue plaque identifying his former residence at 23 Brook Street, London, (next door to the former residence of George Frideric Handel) was the first one issued by English Heritage to commemorate a pop star. A memorial statue of Hendrix playing a Stratocaster stands near the corner of Broadway and Pine Streets in Seattle. In May 2006, the city renamed a park near its Central District Jimi Hendrix Park, in his honor. In 2012, an official historic marker was erected on the site of the July 1970 Second Atlanta International Pop Festival near Byron, Georgia. The marker text reads, in part: “Over thirty musical acts performed, including rock icon Jimi Hendrix playing to the largest American audience of his career.”

Hendrix's music has received a number of Hall of Fame Grammy awards, starting with a Lifetime Achievement Award in 1992, followed by two Grammys in 1999 for his albums Are You Experienced and Electric Ladyland; Axis: Bold as Love received a Grammy in 2006. In 2000, he received a Hall of Fame Grammy award for his original composition, "Purple Haze", and in 2001, for his recording of Dylan's "All Along the Watchtower". Hendrix's rendition of "The Star-Spangled Banner" was honored with a Grammy in 2009.

The United States Postal Service issued a commemorative postage stamp honoring Hendrix in 2014.

On August 21, 2016, Jimi Hendrix was officially inducted into the R&B Hall of Fame in Dearborn, Michigan.

Discography

The Jimi Hendrix Experience

• Are You Experienced (1967)
• Axis: Bold as Love (1967)
• Electric Ladyland (1968)

Jimi Hendrix/Band of Gypsys

• Band of Gypsys (1970)

Posthumous albums

• The Cry of Love (1971)
• Rainbow Bridge (1971)
• War Heroes (1972)
• First Rays of the New Rising Sun (1997)

The Kinks ( B13 )

Before the end of 1971, the Kinks signed a five-album deal with RCA Records and received a million-dollar advance, which helped fund the construction of their own recording studio, Konk. Their debut for RCA, Muswell Hillbillies, was replete with the influence of music hall and traditional American musical styles, including country and bluegrass. It is often hailed as their last great record, though it was not as successful as its predecessors. It was named after Muswell Hill, where the Davies brothers were brought up, and contained songs focusing on working-class life and, again, the Davies' childhood. Muswell Hillbillies, despite positive reviews and high expectations, peaked at number 48 on the Record World chart and number 100 on the Billboard chart. It was followed in 1972 by a double album, Everybody's in Show-Biz, which consisted of both studio tracks and live numbers recorded during a two-night stand at Carnegie Hall. The record featured the ballad "Celluloid Heroes" and the Caribbean-themed "Supersonic Rocket Ship", their last UK Top 20 hit for more than a decade. "Celluloid Heroes" is a bittersweet rumination on dead and fading Hollywood stars (Mickey Rooney was still alive), in which the narrator declares that he wishes his life were like a movie "because celluloid heroes never feel any pain... and celluloid heroes never really die." The album was moderately successful in the United States, peaking at number 47 in Record World and number 70 in Billboard. It marks the transition between the band's early 1970s rock material and the theatrical incarnation in which they immersed themselves for the next four years.

Theatrical incarnation (1973–1976)

In 1973, Ray Davies dived headlong into the theatrical style, beginning with the rock opera Preservation, a sprawling chronicle of social revolution, and a more ambitious outgrowth of the earlier Village Green Preservation Society ethos. In conjunction with the Preservation project, the Kinks' line-up was expanded to include a horn section and female backup singers, essentially reconfiguring the group as a theatrical troupe.

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Diverse ( 34 )

Diverse ( 33 )

Thin Lizzy ( B8 )

This also showed in the subject matter on the album, in songs such as "Got to Give It Up". Celtic influences remained, however, particularly in the album closer "Róisín Dubh", a seven-minute medley of traditional Irish songs given a twin guitar rock veneer. Two singles, "Waiting for an Alibi" and "Do Anything You Want To", were successful, and the album reached no. 2 in the UK. A third, moderately successful single, "Sarah" was Lynott's ode to his new-born daughter.

However, on 4 July 1979, Gary Moore abruptly left Thin Lizzy in the middle of another tour of the US. Years later, Moore said he had no regrets about walking out, "but maybe it was wrong the way I did it. I could've done it differently, I suppose. But I just had to leave." He subsequently pursued his solo career, releasing several successful albums. He had collaborated with Lynott and Downey on his 1978 album Back on the Streets and the hit single "Parisienne Walkways" before leaving Thin Lizzy, and in 1985 he and Lynott teamed up again on the UK no. 5 hit single "Out in the Fields". Gary Moore died of a heart attack in Estepona, Spain on 6 February 2011, aged 58.

After Moore's departure, Thin Lizzy continued the tour for a few nights as a trio before Lynott brought in Midge Ure to replace him on a temporary basis. Ure had prior plans to join Ultravox, but had co-written a song, "Get Out of Here", with Lynott on Black Rose: A Rock Legend, and agreed to help Thin Lizzy complete their touring commitments. He also contributed guitar parts for The Continuing Saga of the Ageing Orphans, a compilation album of remixed and overdubbed versions of Eric Bell-era tracks. On their return to the UK, the band were to headline the Reading Festival for the second time on 25 August 1979, but had to cancel due to the disruption within the line-up.

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Istoric ( 42 )

18.07.2001 - Kiss scot pe piata sicriul Kiss. Sicriul are pe el imaginea celor 4 membri fondatori, logoul trupei si inscrisul Kiss Forever. Chitaristul formatiei Pantera a fost inmormantat intr-un astfel de sicriu.

Jimi Hendrix ( b32 )

Rolling Stone ranked his three non-posthumous studio albums, Are You Experienced (1967), Axis: Bold as Love (1967), and Electric Ladyland (1968) among the 500 Greatest Albums of All Time. They ranked Hendrix number one on their list of the 100 greatest guitarists of all time, and number six on their list of the 100 greatest artists of all time. Guitar World's readers voted six of Hendrix's solos among the top 100 Greatest Guitar Solos of All Time: "Purple Haze" (70), "The Star-Spangled Banner" (52; from Live at Woodstock), "Machine Gun" (32; from Band of Gypsys), "Little Wing" (18), "Voodoo Child (Slight Return)" (11), and "All Along the Watchtower" (5). Rolling Stone placed seven of his recordings in their list of the 500 Greatest Songs of All Time: "Purple Haze" (17), "All Along the Watchtower" (47) "Voodoo Child (Slight Return)" (102), "Foxy Lady" (153), "Hey Joe" (201), "Little Wing" (366), and "The Wind Cries Mary" (379). They also included three of Hendrix's songs in their list of the 100 Greatest Guitar Songs of All Time: "Purple Haze" (2), "Voodoo Child" (12), and "Machine Gun" (49).

A star on the Hollywood Walk of Fame was dedicated to Hendrix on November 14, 1991, at 6627 Hollywood Boulevard. November 27, 1992 was made Jimi Hendrix Day in Seattle. This was largely due to the efforts of his boyhood friend Sammy Drain. He approached the Seattle mayor Norm Rice and talked to him about it. Mayor Rice being aware of the contribution to music Hendrix had made, readily agreed and on November 27, 1992 which would have been the 50th birthday for the guitarist, the mayor issued a proclamation making it Jimi Hendrix Day. The Jimi Hendrix Experience was inducted into the Rock and Roll Hall of Fame in 1992, and the UK Music Hall of Fame in 2005. In 1999, readers of Rolling Stone and Guitar World ranked Hendrix among the most important musicians of the 20th century. In 2005, his debut album, Are You Experienced, was one of 50 recordings added that year to the United States National Recording Registry in the Library of Congress, "[to] be preserved for all time ... [as] part of the nation's audio legacy".

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The Kinks ( B12 )

Before their return to the US, the Kinks recorded another album, Arthur (Or the Decline and Fall of the British Empire). As with the previous two albums, Arthur was grounded in characteristically English lyrical and musical hooks. A modest commercial success, it was well received by American music critics.Conceived as the score for a proposed but unrealised television drama, much of the album revolved around themes from the Davies brothers' childhood; their sister Rosie, who had migrated to Australia in the early 1960s with her husband, Arthur Anning, the album's namesake; and life growing up during the Second World War. The Kinks embarked on their tour of the US in October 1969. The tour was generally unsuccessful, as the group struggled to find cooperative promoters and interested audiences; many of the scheduled concert dates were cancelled. The band did, however, manage to play a few major venues such as the Fillmore East and Whisky a Go Go.
The band added keyboardist John Gosling to their line-up in early 1970; before this Nicky Hopkins, along with Ray, had done most of the session work on keyboards. In May 1970 Gosling debuted with the Kinks on "Lola", an account of a confused romantic encounter with a transvestite, that became both a UK and US Top 10 hit, helping return the Kinks to the public eye. The lyrics originally contained the word "Coca-Cola", and as a result the BBC refused to broadcast the song, considering it to be in violation of their policy against product placement. Part of the song was hastily rerecorded by Ray Davies, with the offending line changed to the generic "cherry cola", although in concert the Kinks still used "Coca-Cola". Recordings of both versions of "Lola" exist. The accompanying album Lola Versus Powerman and the Moneygoround, Part One was released in November 1970. It was a critical and commercial success, charting in the Top 40 in the US, making it their most successful album since the mid 1960s. After the success of "Lola", the band went on to release Percy in 1971, a soundtrack album to a film of the same name about a penis transplant. The album, which consisted largely of instrumentals, did not receive positive reviews. The band's US label, Reprise, declined to release it in the US, precipitating a major dispute that contributed to the band's departure from the label. Directly after the release of the album, the band's contracts with Pye and Reprise expired.

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Istoric ( 41 )

07.09.1985 - David Bowie si Mick Jagger ajung nr 1 in State cu piesa Dancing in The Dark.

Ramones ( I1 )

Thin Lizzy ( B7 )

The return of Gary Moore (1978–1979)

In 1978, Lizzy released their first live album Live and Dangerous. There is some disagreement over just how much of the album is actually recorded live – producer Tony Visconti claimed that the only parts that were not overdubbed were the drums and the audience. However Brian Robertson has disputed this, saying that he had refused Lynott's request to re-record a guitar solo, and that the only overdubs were backing vocals and some guitar parts by Gorham. He added, "It's just not true. The only reason we said that it was recorded all over was obviously for tax reasons... so everything that Visconti claims is bollocks." Gorham concurs, stating that he attempted to re-record a solo but could not recreate the live sound, adding, "I re-did onerhythm track and a few backing vocals. But that's it." The album was a huge success, reaching no. 2 in the UK, and was ranked as the best live album of all time by Classic Rock Magazine in 2004. But this success was overshadowed by the permanent departure of Robertson some time after a gig in Ibiza on 6 July 1978, the disagreements with Lynott having developed to an impossible level. Robertson soon teamed up with Jimmy Bain to front their new band, Wild Horses.

Lynott replaced Robertson with Gary Moore again, and around this time the band loosely joined forces with Steve Jones and Paul Cook of the Sex Pistols, and also with Chris Spedding and Jimmy Bain, to form The Greedy Bastards, who played a small number of gigs playing a varied selection of songs. In this way Lynott was able to align his band with the punk movement and avoid being tagged as a 'dinosaur' as many other 1970s rock bands had been. Other occasional members of The Greedy Bastards included Bob Geldof and Pete Briquette of the Boomtown Rats.

In August the band began another tour of the US, followed by a trip to Australia and New Zealand. Brian Downey did not accompany them, having contracted pneumonia and preferring to spend some time in Ireland. He was replaced for the tour by American drummer Mark Nauseef. On their return, Downey rejoined the band and at the beginning of 1979 they recorded Black Rose: A Rock Legend in Paris. The sessions were marked by the increasing drug habits of Lynott and Gorham, and the general presence of drugs around the band.

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Procol Harum - Conquistador ( L1 )

Conquistador your stallion stands in need of company
And like some angel's haloed brow
You reek of purity
I see your armour-plated breast has long since lost its sheen
And in your death mask face
There are no signs which can be seen
And though I hoped for something to find
I could see no maze to unwind
Conquistador a vulture sits upon your silver shield
And in your rusty scabbard now
The sand has taken seed
And though your jewel-encrusted blade has not been plundered still
The sea has washed across your face
And taken of its fill
And though I hoped for something to find
I could see no maze to unwind
Conquistador there is no time
I must pay my respect
And though I came to jeer at you
I leave now with regret
And as the gloom begins to fall
I see there is no aureole
And though you came with sword held high
You did not conquer, only die
And though I hoped for something to find
I could see no maze to unwind

Jimi Hendrix ( b31 )

While creating his unique musical voice and guitar style, Hendrix synthesized diverse genres, including blues, R&B, soul, British rock, American folk music, 1950s rock and roll, and jazz. Musicologist David Moskowitz emphasized the importance of blues music in Hendrix's playing style, and according to authors Steven Roby and Brad Schreiber, "[He] explored the outer reaches of psychedelic rock". His influence is evident in a variety of popular music formats, and he has contributed significantly to the development of hard rock, heavy metal, funk, post-punk, and hip hop music. His lasting influence on modern guitar players is difficult to overstate; his techniques and delivery have been abundantly imitated by others. Despite his hectic touring schedule and notorious perfectionism, he was a prolific recording artist who left behind numerous unreleased recordings. More than 40 years after his death, Hendrix remains as popular as ever, with annual album sales exceeding that of any year during his lifetime.

Hendrix has influenced numerous funk and funk rock artists, including Prince, George Clinton, John Frusciante, formerly of the Red Hot Chili Peppers, Eddie Hazel of Funkadelic, and Ernie Isley of the Isley Brothers. Hendrix's influence also extends to many hip hop artists, including De La Soul, A Tribe Called Quest, Digital Underground, Beastie Boys, and Run–D.M.C. Miles Davis was deeply impressed by Hendrix, and he compared Hendrix's improvisational abilities with those of saxophonist John Coltrane. Hendrix also influenced industrial artist Marilyn Manson, blues legend Stevie Ray Vaughan, Metallica's Kirk Hammett, instrumental rock guitarist Joe Satriani, Frank Zappa/David Bowie/Talking Heads/King Crimson/Nine Inch Nails hired gun Adrian Belew, and heavy metal virtuoso Yngwie Malmsteen, who said: "[Hendrix] created modern electric playing, without question ... He was the first. He started it all. The rest is history."

Recognition and awards

Hendrix received several prestigious rock music awards during his lifetime and posthumously. In 1967, readers of Melody Maker voted him the Pop Musician of the Year. In 1968, Rolling Stone declared him the Performer of the Year. Also in 1968, the City of Seattle gave him the Keys to the City. Disc & Music Echo newspaper honored him with the World Top Musician of 1969 and in 1970 Guitar Player magazine named him the Rock Guitarist of the Year.

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Diverse ( 32 )

The Kinks ( B11 )

It did not include the moderately successful "Days"; "Starstruck" was released in North America and continental Europe, but was unsuccessful. Though a commercial disappointment, Village Green (the project's original name was adopted as shorthand for the long album title) was embraced by the new underground rock press when it came out in January 1969 in the United States, where the Kinks began to acquire a reputation as a cult band. In The Village Voice, a newly hired Robert Christgau called it "the best album of the year so far". The underground Boston paper Fusion published a review stating, "the Kinks continue, despite the odds, the bad press and their demonstrated lot, to come across. ... Their persistence is dignified, their virtues are stoic. The Kinks are forever, only for now in modern dress." The record did not escape criticism, however. In the student paper California Tech, one writer commented that it was "schmaltz rock ... without imagination, poorly arranged and a poor copy of The Beatles". Although it sold only an estimated 100,000 copies worldwide on its initial release, it has since become the Kinks' best-selling original record. The album remains popular; in 2004, it was re-released in a 3-CD "Deluxe" edition and one of its tracks, "Picture Book", was featured in a popular Hewlett-Packard television commercial, helping to boost the album's popularity considerably.

In early 1969, Quaife told the band he was leaving. The other members did not take his statement seriously, until an article appeared in New Musical Express on 4 April featuring Quaife's new band, Maple Oak, which he had formed without telling the rest of the Kinks. Ray Davies pleaded with him to return for the sessions for their upcoming album, but Quaife refused. Davies immediately called up John Dalton, who had filled in for Quaife in the past, as a replacement. Dalton remained with the group until 1977, when the album Sleepwalker was released.

Ray Davies travelled to Los Angeles in April 1969 to help negotiate an end to the American Federation of Musicians' ban on the group, opening up an opportunity for them to return to touring in the US. The group's management quickly made plans for a North American tour, to help restore their standing in the US pop music scene.

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Istoric ( 40 )

14.04.1970 - Creedence Clearwater Revival isi fac debutul in Anglia prin doua concerte la Royal Albert Hall.

Thin Lizzy ( B6 )

A further tour of the US was planned for December 1976, but it had to be cancelled when, on 23 November, Brian Robertson suffered a hand injury when trying to protect fellow Glaswegian, singer and friend Frankie Miller in a fracas at the Speakeasy Club in London. Miller had been jamming onstage with the reggae band Gonzalez, but had been drunk, offending Gonzalez guitarist Gordon Hunte. Hunte attacked Miller with a bottle in the dressing room, and Robertson intervened, suffering artery and nerve damage to his hand.Robertson subsequently broke Hunte's leg, broke the collarbone of another man, and headbutted another, before being hit on the head with a bottle, rendering him unconscious.

Robertson maintains that, contrary to reports at the time, he was not drunk and had only gone to the venue for a meal. Lynott was angry and replaced Robertson with Gary Moore for another tour of the States in January–March 1977, this time supporting Queen. The tour was a success and Lynott asked Moore to stay on, but he returned to his previous band, Colosseum II. Robertson had not been sacked but was unsure of his position and made plans to start another band with Jimmy Bain of Rainbow. Before the American tour, Lynott had also invited Irish guitarist Jimi Slevin to "try out a few things" with Thin Lizzy, prompting speculation that the ex-Skid Row member could replace Robertson.

Thin Lizzy flew to Canada in May 1977 as a trio to record Bad Reputation, with Gorham handling all the guitar parts. A month into the sessions, at Gorham's urging, Robertson joined them, in his own words, "as a session player" and in Lynott's words, "as a guest". Robertson added lead guitar tracks to three songs as well as rhythm guitar and keyboards, and was officially reinstated in July. The album was released in September and sold well, reaching no. 4 in the UK, after a successful single, "Dancing in the Moonlight (It's Caught Me in Its Spotlight)". Also in 1977, Thin Lizzy headlined the Reading Festival.

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Rush ( I1 )

Anthrax - Deathrider ( L1 )

Riding hard, high in the saddle
Winged steed of unwearing flight
Sweeping through air just like fire
Swift of the foot, great of might

Hear the screams
Feel the bite
We ride with death
Tonight

Here it comes
You better hide
Shoot the guns
You're gonna die

Conquering all, spreading terror
Hoofs gallop in thunderous pound
Devouring the souls of the wretched
Trampling them down to the ground

Gripping the reins of destruction
Made of steel on his hands
Holder of forces immortal
Slaughtering all in his path

Jimi Hendrix ( b30 )

Legacy

The Experience's Rock and Roll Hall of Fame biography states: "Jimi Hendrix was arguably the greatest instrumentalist in the history of rock music. Hendrix expanded the range and vocabulary of the electric guitar into areas no musician had ever ventured before. His boundless drive, technical ability and creative application of such effects as wah-wah and distortion forever transformed the sound of rock and roll." Musicologist Andy Aledort described Hendrix as "one of the most creative" and "influential musicians that has ever lived". Music journalist Chuck Philips wrote: "In a field almost exclusively populated by white musicians, Hendrix has served as a role model for a cadre of young black rockers. His achievement was to reclaim title to a musical form pioneered by black innovators like Little Richard and Chuck Berry in the 1950s."

Hendrix favored overdriven amplifiers with high volume and gain. He was instrumental in developing the previously undesirable technique of guitar amplifier feedback, and helped to popularize use of the wah-wah pedal in mainstream rock. He rejected the standard barre chord fretting technique used by most guitarists in favor of fretting the low 6th string root notes with his thumb. He applied this technique during the beginning bars of "Little Wing", which allowed him to sustain the root note of chords while also playing melody. This method has been described as piano style, with the thumb playing what a pianist's left hand would play and the other fingers playing melody as a right hand. Having spent several years fronting a trio, he developed an ability to play rhythm chords and lead lines together, giving the audio impression that more than one guitarist was performing.He was the first artist to incorporate stereophonic phasing effects in rock music recordings. Holly George-Warren of Rolling Stone commented: "Hendrix pioneered the use of the instrument as an electronic sound source. Players before him had experimented with feedback and distortion, but Hendrix turned those effects and others into a controlled, fluid vocabulary every bit as personal as the blues with which he began." Aledort wrote: "In rock guitar, there are but two eras — before Hendrix and after Hendrix.

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Diverse ( 31 )

The Kinks ( B10 )

Beginning early in 1968, the group largely retired from touring, instead focusing on work in the studio. As the band was not available to promote their material, subsequent releases met with little success. The Kinks' next single, "Wonderboy", released in the spring of 1968, stalled at number 36 and became the band's first single not to make the UK Top Twenty since their early covers. In the face of the band's declining popularity, Davies continued to pursue his personal song-writing style while rebelling against the heavy demands placed on him to keep producing commercial hits, and the group continued to devote time to the studio, centring on a slowly developing project of Ray's called Village Green. In an attempt to revive the group's commercial standing, the Kinks' management booked them on a month-long package tour for April, drawing the group away from the studio. The venues were largely cabarets and clubs; headlining was Peter Frampton's group The Herd. "In general, the teenyboppers were not there to see the boring old Kinks, who occasionally had to endure chants of 'We Want The Herd!' during their brief appearances", commented Andy Miller. The tour proved taxing and stressful—Pete Quaife recalled, "It was a chore, very dull, boring and straightforward... We only did twenty minutes, but it used to drive me absolutely frantic, standing on stage and playing three notes over and over again." At the end of June, the Kinks released the single "Days", which provided a minor, but only momentary, comeback for the group. "I remember playing it when I was at Fortis Green the first time I had a tape of it", Ray said. "I played it to Brian, who used to be our roadie, and his wife and two daughters. They were crying at the end of it. Really wonderful—like going to Waterloo and seeing the sunset. ... It's like saying goodbye to somebody, then afterwards feeling the fear that you actually are alone." "Days" reached number 12 in the United Kingdom and was a Top 20 hit in several other countries, but it did not chart in the United States. Village Green eventually morphed into their next album, The Kinks Are the Village Green Preservation Society, released in late 1968 in the UK. A collection of thematic vignettes of English town and hamlet life, it was assembled from songs written and recorded over the previous two years. It was greeted with almost unanimously positive reviews from both UK and US rock critics, yet failed to sell strongly. One factor in the album's initial commercial failure was the lack of a popular single.

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Thin Lizzy ( B5 )

"The Boys Are Back in Town" (1975–1977)

In early 1975, Thin Lizzy toured the United States for the first time, in support of Bob Seger and Bachman–Turner Overdrive. When BTO toured Europe later in the year to support their hit single "You Ain't Seen Nothing Yet", Thin Lizzy again accompanied them on what was a very high-profile tour.They then recorded the Fighting album, which became the first Thin Lizzy album to chart in the UK, reaching no. 60, although the singles still did not chart. Opening with Seger's "Rosalie", the album showed the first real evidence of the twin guitar sound that would lead the band towards their greatest successes, particularly with the dual harmonies of "Wild One" and both guitarists' soloing on "Suicide".

After a successful multi-band tour in support of Status Quo, the band recorded the album Jailbreak, which proved to be their breakthrough record. Released on 26 March 1976, it featured the worldwide hit "The Boys Are Back in Town" which reached no. 8 in the UK, and no. 12 in the US, their first charting record in that country. The twin guitar sound had been fully developed by this time and was in evidence throughout the album, particularly on the hit single, and other tracks such as "Emerald" and "Warriors". The album also charted well on both sides of the Atlantic, and the follow-up single, "Jailbreak", also performed well. Thin Lizzy toured the US in support of various bands such as Aerosmith, Rush and REO Speedwagon, and they planned to tour there again in June 1976, this time with Rainbow. However, Lynott fell ill with hepatitis and the tour was cancelled, which set them back a few months.

While Lynott was ill, he wrote most of the following album, Johnny the Fox. The album was recorded in August 1976 and the sessions began to reveal tensions between Lynott and Robertson; for example, there was disagreement over the composition credits of the hit single "Don't Believe a Word". Lynott was still drawing on Celtic mythology and his own personal experiences for lyric ideas, which dominated Johnny the Fox and the other albums of Thin Lizzy's successful mid-1970s period. The tour to support the album was very successful and there were further high-profile TV appearances, such as the Rod Stewart BBC TV Special.

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Three Dog Night ( I1 )

Jimi Hendrix ( b29 )

Hendrix also utilized the Uni-Vibe, which was designed to simulate the modulation effects of a rotating Leslie speaker by providing a rich phasing sound that could be manipulated with a speed control pedal. He can be heard using the effect during his performance at Woodstock and on the Band of Gypsys track "Machine Gun", which prominently features the Uni-vibe along with an Octavia and a Fuzz Face. His signal flow for live performance involved first plugging his guitar into a wah-wah pedal, then connecting the wah-wah pedal to a Fuzz Face, which was then linked to a Uni-Vibe, before connecting to a Marshall amplifier.

Influences

As an adolescent during the 1950s, Hendrix became interested in rock and roll artists such as Elvis Presley, Little Richard, and Chuck Berry. In 1968, he told Guitar Player magazine that electric blues artists Muddy Waters, Elmore James, and B.B. King inspired him during the beginning of his career; he also cited Eddie Cochran as an early influence. Of Muddy Waters, the first electric guitarist of which Hendrix became aware, he said: "I heard one of his records when I was a little boy and it scared me to death because I heard all of these sounds.'' In 1970, he told Rolling Stone that he was a fan of western swing artist Bob Wills and while he lived in Nashville, the television show the Grand Ole Opry.

Cox stated that during their time serving in the U.S. military, he and Hendrix primarily listened to southern blues artists such as Jimmy Reed and Albert King. According to Cox, "King was a very, very powerful influence". Howlin' Wolf also inspired Hendrix, who performed Wolf's "Killing Floor" as the opening song of his U.S. debut at the Monterey Pop Festival. The influence of soul artist Curtis Mayfield can be heard in Hendrix's guitar playing, and the influence of Bob Dylan can be heard in Hendrix's songwriting; he was known to play Dylan's records repeatedly, particularly Highway 61 Revisited and Blonde on Blonde.

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Diverse ( 30 )

The Kinks ( B9 )

Dave Davies later commented on the recording: "We spent a lot of time trying to get a different guitar sound, to get a more unique feel for the record. In the end we used a tape-delay echo, but it sounded new because nobody had done it since the 1950s. I remember Steve Marriott of the Small Faces came up and asked me how we'd got that sound. We were almost trendy for a while." The single was one of the Kinks' biggest UK successes (hitting number two on Melody Maker's chart), and went on to become one of their most popular and best-known songs. Pop music journalist Robert Christgau called it "the most beautiful song in the English language", and AllMusic senior editor Stephen Thomas Erlewine cited it as "possibly the most beautiful song of the rock and roll era".
The songs on the 1967 album, Something Else By The Kinks, developed the musical progressions of Face to Face, adding English music hall influences to the band's sound. Dave Davies scored a major UK chart success with the album's "Death of a Clown". While it was co-written by Ray Davies and recorded by the Kinks, it was also released as a Dave Davies solo single. Overall, however, the album's commercial performance was disappointing, prompting the Kinks to rush out a new single, "Autumn Almanac", in early October. Backed with "Mister Pleasant", the single became another Top 5 success for the group. Andy Miller points out that, despite its success, the single marks a turning point in the band's career—it would be their last entry into the UK Top Ten for three years: "In retrospect, 'Autumn Almanac' marked the first hint of trouble for the Kinks. This glorious single, one of the greatest achievements of British 60s pop, was widely criticised at the time for being too similar to previous Davies efforts." Nick Jones of Melody Maker asked, "Is it time that Ray stopped writing about grey suburbanites going about their fairly unemotional daily business? ... Ray works to a formula, not a feeling, and it's becoming rather boring." Disc jockey Mike Ahern called the song "a load of old rubbish". Dave's second solo single, "Susannah's Still Alive", was released in the UK on 24 November. It sold a modest 59,000 copies, but failed to reach the Top 10. Miller states that "by the end of the year, the Kinks were rapidly sliding out of fashion".

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Istoric ( 39 )

24.12.1976 - The Eagles sixth album, Hotel California spent the first of eight non-consecutive weeks at the top of the Billboard chart. The band’s first LP with Joe Walsh and last with bassist Randy Meisner which has now sold over 16 million copies.

Thin Lizzy ( B4 )

"Whiskey in the Jar" (1972–1974)

In late 1972, the band embarked upon a high-profile tour of the UK with Slade, who were enjoying a string of hit singles at the time, and Suzi Quatro. Around the same time, Decca released Thin Lizzy's version of a traditional Irish ballad, "Whiskey in the Jar", as a single. The band was angry at the release, feeling that the song did not represent their sound or their image, but the single topped the Irish chart, and reached no. 6 in the UK in February 1973, resulting in an appearance on Top of the Pops. It also charted in many countries across Europe. However, the follow-up single, "Randolph's Tango", was a return to Lynott's more obscure work, and it did not chart outside Ireland.

The band's next album, Vagabonds of the Western World, was released in September 1973 following strong airplay in the UK, but again failed to chart. The accompanying single "The Rocker" also found little success outside Ireland, and the momentum gained from their hit single was lost.

Eric Bell suddenly left the band on New Year's Eve 1973 after a gig at Queen's University Belfast, due to increasing ill-health and disillusionment with the music industry, and young ex-Skid Row guitarist Gary Moore was recruited to help finish the tour. Moore stayed until April 1974; the band recording three songs with him in that time, including the version of "Still in Love with You" that was included on the fourth album Nightlife.

With the departure of Moore, Lynott decided to expand the line-up with two guitarists, and recruited two new members to complete a tour of Germany in May 1974. These were ex-Atomic Rooster and Hard Stuff guitarist John Cann, and Berlin-born Andy Gee, who had played with Peter Bardens and Ellis. It soon emerged that this lineup would be a temporary one, as Lynott and Cann did not get on well personally, and Gee was under contract to another record label. The tour was ended early when a disillusioned Downey quit the band and had to be begged to reconsider, at a time when Thin Lizzy's contract with Decca was coming to an end.

Auditions were held for new members, and Lynott and Downey eventually settled on Glaswegian guitarist Brian Robertson who was only 18 years old at the time, and Californian Scott Gorham. The new line-up gelled quickly, dropped most of the old songs when they played live, and secured a new record deal with Phonogram, but the resulting album Nightlife was a disappointment for the band due to its soft production and underdeveloped style. Robertson described Ron Nevison's production as "pretty naff" and Gorham said the record was "ridiculously tame". Like the previous three albums, it failed to chart.

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