Eric Clapton ( b21 )

In 2011, The Guardian attributed the creation of the cult of the guitar hero to Clapton, ranking it number seven on their list of the 50 key events in rock music history;

Nothing is more central to rock mythology than the cult of the lead guitarist. And no one did more to create that cult than Eric Clapton. He had already been a member of the Yardbirds before joining John Mayall's Bluesbreakers, the clearing house for guitarists, in April 1965. His two stints with Mayall saw his reputation grow to the extent that a famous graffito captured the popular appraisal of him among rock fans: "Clapton is God".

In 2012, Clapton was among the British cultural icons selected by artist Sir Peter Blake to appear in a new version of his most famous artwork – the Beatles' Sgt. Pepper's Lonely Hearts Club Band album cover – to celebrate the British cultural figures of his life that he most admires to mark his 80th birthday.

Guitars

Clapton's choice of electric guitars has been as notable as the man himself; like Hank Marvin, the Beatles and Jimi Hendrix, Clapton exerted a crucial and widespread influence in popularising particular models of electric guitar. With the Yardbirds, Clapton played a Fender Telecaster, a Fender Jazzmaster, a double-cutaway Gretsch 6120, and a 1964 Cherry-Red Gibson ES-335. He became exclusively a Gibson player for a period beginning in mid-1965, when he purchased a used sunburst Gibson Les Paul guitar from a guitar store in London. Clapton commented on the slim profile of the neck, which would indicate it was a 1960 model.

Early during his stint in Cream, Clapton's first Les Paul Standard was stolen. He continued to play Les Pauls exclusively with Cream (one bought from Andy Summers was almost identical to the stolen guitar) until 1967, when he acquired his most famous guitar in this period, a 1964 Gibson SG, dubbed "the Fool". Clapton used both the Les Paul and the SG to create his self-described "woman tone". He explained in a 1967 interview, "I am playing more smoothly now. I’m developing what I call my 'woman tone.' It's a sweet sound, something like the solo on 'I Feel Free'."

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