By early 1967, fans of the emerging blues-rock sound in Britain had begun to portray Clapton as Britain's top guitarist; however, he found himself rivalled by the emergence of Jimi Hendrix, an acid rock-infused guitarist who used wailing feedback and effects pedals to create new sounds for the instrument. Hendrix attended a performance of the newly formed Cream at the Central London Polytechnic on 1 October 1966, during which he sat in on a double-timed version of "Killing Floor". Top UK stars, including Clapton, Pete Townshend, members of the Rolling Stones, and the Beatles, avidly attended Hendrix's early club performances. Hendrix's arrival had an immediate and major effect on the next phase of Clapton's career.
Clapton first visited the United States while touring with Cream. In March 1967, Cream performed a nine-show stand at the RKO Theater in New York. They recorded Disraeli Gears in New York from 11–15 May 1967. Cream's repertoire varied from hard rock ("I Feel Free") to lengthy blues-based instrumental jams ("Spoonful"). Disraeli Gears featured Clapton's searing guitar lines, Bruce's soaring vocals and prominent, fluid bass playing, and Baker's powerful, polyrhythmic jazz-influenced drumming. Together, Cream's talents secured them as an influential power trio.
In 28 months, Cream had become a commercial success, selling millions of records and playing throughout the U.S. and Europe. They redefined the instrumentalist's role in rock and were one of the first blues-rock bands to emphasise musical virtuosity and lengthy jazz-style improvisation sessions. Their US hit singles include "Sunshine of Your Love" (#5, 1968), "White Room" (#6, 1968) and "Crossroads" (#28, 1969) – a live version of Robert Johnson's "Cross Road Blues". Though Cream was hailed as one of the greatest groups of its day, and the adulation of Clapton as a guitar legend reached new heights, the supergroup was short-lived. Drug and alcohol use escalated tension between the three members, and conflicts between Bruce and Baker eventually led to Cream's demise. A strongly critical Rolling Stone review of a concert of the group's second headlining U.S. tour was another significant factor in the trio's demise, and it affected Clapton profoundly.
Cream's farewell album, Goodbye, featuring live performances recorded at The Forum, Los Angeles, 19 October 1968, was released shortly after Cream disbanded; it also featured the studio single "Badge", co-written by Clapton and George Harrison. Clapton met Harrison and became close friends with him after the Beatles shared a bill with the Clapton-era Yardbirds at the London Palladium. Clapton played the lead guitar solo on Harrison's "While My Guitar Gently Weeps" from the Beatles' White Album (1968). Harrison's debut solo album, Wonderwall Music, in 1968, became the first of many Harrison solo records to include Clapton on guitar. Clapton would go largely uncredited for his contributions to Harrison's albums due to contractual restraints, and Harrison was credited as "L'Angelo Misterioso" for his contributions to the song "Badge" on Goodbye. The pair would often play live together as each other's guest. A year after Harrison's death in 2001, Clapton was musical director for the Concert for George.
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