Billy Idol ( b10 )

 On 30 October 2018, former Generation X members Idol and Tony James joined with Steve Jones and Paul Cook, former members of another first wave English punk rock band, the Sex Pistols, to perform a free gig at the Roxy in Hollywood, Los Angeles, under the name Generation Sex, playing a combined set of the two former bands' material.

In late February 2020, Idol starred in a public service campaign titled "Billy Never Idles", intended to fight the unnecessary idling of automobile engines in New York City, to reduce air pollution. Idol teamed with New York Mayor Bill de Blasio to open the campaign, which features Idol saying "If you're not driving, shut your damn engine off!" and other strong advice.

Idol was featured as a guest vocalist on the song "Night Crawling" from Miley Cyrus' album Plastic Hearts released in November 2020.

On 12 August 2021, Idol's music video "Bitter Taste", directed by Stephen Sebring, was uploaded to YouTube. Idol announced his new EP The Roadside, which was released on 17 September. Another EP, The Cage, is scheduled for release on September 23, 2022. A video for the title track, also directed by Sebring, premiered on YouTube August 17.

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The Beatles ( B6 )

In 1961, during their second Hamburg engagement, Kirchherr cut Sutcliffe's hair in the "exi" (existentialist) style, later adopted by the other Beatles. Later on, Sutcliffe decided to leave the band early that year and resume his art studies in Germany. McCartney took over bass. Producer Bert Kaempfert contracted what was now a four-piece group until June 1962, and he used them as Tony Sheridan's backing band on a series of recordings for Polydor Records. As part of the sessions, the Beatles were signed to Polydor for one year. Credited to "Tony Sheridan & the Beat Brothers", the single "My Bonnie", recorded in June 1961 and released four months later, reached number 32 on the Musikmarkt chart.

After the Beatles completed their second Hamburg residency, they enjoyed increasing popularity in Liverpool with the growing Merseybeat movement. However, they were growing tired of the monotony of numerous appearances at the same clubs night after night. In November 1961, during one of the group's frequent performances at the Cavern Club, they encountered Brian Epstein, a local record-store owner and music columnist. He later recalled: "I immediately liked what I heard. They were fresh, and they were honest, and they had what I thought was a sort of presence ... [a] star quality."

First EMI recordings

Epstein courted the band over the next couple of months, and they appointed him as their manager in January 1962. Throughout early and mid-1962, Epstein sought to free the Beatles from their contractual obligations to Bert Kaempfert Productions. He eventually negotiated a one-month early release in exchange for one last recording session in Hamburg.

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The Beach Boys ( B13 )

 In some ways, the music was a jarring departure from their earlier style. Jardine explained that "it took us quite a while to adjust to [the new material] because it wasn't music you could necessarily dance to—it was more like music you could make love to." In The Journal on the Art of Record Production, Marshall Heiser writes that Pet Sounds "diverges from previous Beach Boys' efforts in several ways: its sound field has a greater sense of depth and 'warmth;' the songs employ even more inventive use of harmony and chord voicings; the prominent use of percussion is a key feature (as opposed to driving drum backbeats); whilst the orchestrations, at times, echo the quirkiness of 'exotica' bandleader Les Baxter, or the 'cool' of Burt Bacharach, more so than Spector's teen fanfares."

For Pet Sounds, Brian desired to make "a complete statement", similar to what he believed the Beatles had done with their newest album Rubber Soul, released in December 1965. Brian was immediately enamored with the album, given the impression that it had no filler tracks, a feature that was mostly unheard of at a time when 45 rpm singles were considered more noteworthy than full-length LPs. He later said: "It didn't make me want to copy them but to be as good as them. I didn't want to do the same kind of music, but on the same level." Thanks to mutual connections, Brian was introduced to the Beatles' former press officer Derek Taylor, who was subsequently employed as the Beach Boys' publicist. Responding to Brian's request to reinvent the band's image, Taylor devised a promotion campaign with the tagline "Brian Wilson is a genius", a belief Taylor sincerely held. Taylor's prestige was crucial in offering a credible perspective to those on the outside, and his efforts are widely recognized as instrumental in the album's success in Britain.

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Nine Inch Nails - Head Like a Hole ( L1 )

God money, I'll do anything for you

God money, just tell me what you want me to
God money, nail me up against the wall
God money, don't want everything, he wants it all

No, you can't take it
No, you can't take it
No, you can't take that away from me
No, you can't take it
No, you can't take it
No, you can't take that away from me

Head like a hole, black as your soul
I'd rather die than give you control
Head like a hole, black as your soul
I'd rather die than give you control

Bow down before the one you serve
You're going to get what you deserve
Bow down before the one you serve
You're going to get what you deserve

God money's not looking for the cure
God money's not concerned about the sick among the pure
God money, let's go dancing on the backs of the bruised
God money's not one to choose

No, you can't take it
No, you can't take it
No, you can't take that away from me
No, you can't take it
No, you can't take it
No, you can't take that away from me

Head like a hole, black as your soul
I'd rather die than give you control
Head like a hole, black as your soul
I'd rather die than give you control

Bow down before the one you serve
You're going to get what you deserve
Bow down before the one you serve
You're going to get what you deserve
Bow down before the one you serve
You're going to get what you deserve
Bow down before the one you serve
You're going to get what you deserve

Head like a hole, black as your soul
I'd rather die than give you control
Head like a hole, black as your soul
I'd rather die than give you control
Head like a hole, black as your soul
I'd rather die than give you control
Head like a hole, black as your soul
I'd rather die than give you control

Bow down before the one you serve
You're going to get what you deserve
Bow down before the one you serve
You're going to get what you deserve
Bow down before the one you serve
You're going to get what you deserve
Bow down before the one you serve
You're going to get what you deserve

The Cars - Candy-O - ( D2 )

 

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Istoric ( 322 )

 18.05.1988 - Fleetwood  Mac canta primul concert dintr-o serie de sase sol-out-uri pe Wembley.

Billy Idol ( b9 )

 

2010–present: Kings & Queens of the Underground

Idol performing at Bonnaroo, 2013

On 16 February 2010, Idol was announced as one of the acts to play at the Download Festival in Donington Park, England. He stated "With all of these great heavyweight and cool bands playing Download this year, I'm going to have to come armed with my punk rock attitude, Steve Stevens, and all of my classic songs plus a couple of way out covers. Should be fun!" In March 2010, Idol added Camp Freddy guitarist Billy Morrison and drummer Jeremy Colson to his touring line-up.

Idol performing at the 2015 NHL Winter Classic

In 2013, Idol appeared on the third episode of the BBC Four series How the Brits Rocked America. Idol also lent his voice as Spikey Hair Bot to Disney XD's Randy Cunningham: 9th Grade Ninja episode "McSatchle"

In October 2014, Idol released his eighth studio album Kings & Queens of the Underground. While recording the album between 2010 and 2014, he worked with producer Trevor Horn, Horn's former Buggles and Yes bandmate Geoff Downes and Greg Kurstin. Idol's autobiography, Dancing with Myself, was published on 7 October 2014 and became a New York Times best seller.

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