miercuri, 4 aprilie 2018

Eric Clapton ( b28 )

Wealth and assets

In 2009, Surrey Life Magazine ranked Clapton as number 17 in their list of richest Surrey residents, estimating his fortune at £120 million in assets. This was a combination of property and income which include a £9 million yacht, Va Bene (previously owned by Bernie Ecclestone), his back music catalogue, his touring income, and his holding company Marshbrook Ltd, which had earned him £110 million since 1989. In 2003, he purchased a 50% share of gentleman's outfitters Cordings Piccadilly. At the time, owner Noll Uloth was trying to save the shop from closure and is reported to have contacted Clapton, his "best client"; within five minutes, Clapton replied with "I can't let this happen".

Car collection


Since the 1970s, Clapton considered himself a "car enthusiast" and often stated his passion for the Ferrari brand. Clapton currently owns or has owned a range of Ferraris, and when asked about his Ferrari collection in 1989, he said he liked the touring cars for road use the company produces and commented "if I had more space and if I had been wise I would have a huge collection by now and I would be a multi-multi-millionaire". In 2010, he explained that for him "Ferrari has always been the number one car" to own and drive, and that he always supported Ferrari on the road and in Formula One motor racing.
In 2012, Ferrari honoured Clapton with the one-off special project car, the Ferrari SP12 EC. In July 2013 Clapton displayed it at the Goodwood Festival of Speed in England in the Michelin Supercar Run. In 2014, Clapton explained that Ferrari is still his favourite car brand. Among the other vehicles Clapton owns or has owned during his life are a vintage Mini Cooper Radford which was a gift from George Harrison.

Charitable work

In 1993, Clapton was appointed a director of Clouds House, a UK treatment centre for drug and alcohol dependence, and served on their board until 1997. Clapton also served on the board of directors for The Chemical Dependency Centre from 1994 until 1999. Both charities subsequently merged to become Action on Addiction in 2007.


The Kinks ( B3 )

The brothers attended William Grimshaw Secondary Modern School (later merged with Tollington Grammar School to become Fortismere School), where they formed a band, the Ray Davies Quartet, with Ray's friend and classmate Pete Quaife and Quaife's friend John Start. Their debut at a school dance was well received, which encouraged the group to play at local pubs and bars. The band went through a series of lead vocalists, including Rod Stewart, another student at William Grimshaw, who performed with the group at least once in early 1962. He then formed his own group, Rod Stewart and the Moonrakers, which became a local rival to the Ray Davies Quartet.
In late 1962, Ray Davies left home to study at Hornsey College of Art. He pursued interests in subjects such as film, sketching, theatre and music, including jazz and blues. When Blues Incorporated played at the college in December, he asked advice from Alexis Korner, who recommended Giorgio Gomelsky, the former Yardbirds manager, who put Davies in touch with the Soho-based Dave Hunt Band, a professional group of musicians who played jazz and R&B. A few days after the Ray Davies Quartet supported Cyril Stapleton at the Lyceum Ballroom on New Years Eve, Davies, while still remaining in the Quartet, joined the Dave Hunt Band which briefly included Charlie Watts on drums. In February 1963, Davies left Dave Hunt to join the Hamilton King Band (also known as the Blues Messengers), which had Peter Bardens as pianist. At the end of the spring term he left Hornsey College with a view to study film at the Central School of Art and Design, around this time the Quartet changed their name to the Ramrods. In June, the Hamilton King Band broke up, though the Ramrods kept going, performing under several other names, including the Pete Quaife Band, and the Bo-Weevils, before (temporarily) settling on the Ravens. The fledgling group hired two managers, Grenville Collins and Robert Wace, and in late 1963 former pop singer Larry Page became their third manager. American record producer Shel Talmy began working with the band, and the Beatles' promoter, Arthur Howes, was retained to schedule the Ravens' live shows. The group unsuccessfully auditioned for various record labels until early 1964, when Talmy secured them a contract with Pye Records. During this period they had acquired a new drummer, Mickey Willet; however, Willet left the band shortly before they signed to Pye. The Ravens invited Mick Avory to replace him after seeing an advertisement Avory had placed in Melody Maker. Avory had a background in jazz drumming and had played one gig with the fledgling Rolling Stones.

Marillion - Script For A Jester's Tear ( L1 )


So here I am once more in the playground of the broken hearts
One more experience, one more entry in a diary, self-penned
Yet another emotional suicide overdosed on sentiment and pride
Too late to say I love you, too late to re-stage the play
Abandoning the relics in my playground of yesterday
I'm losing on the swings, I'm losing on the roundabouts
I'm losing on the swings, I'm losing on the roundabouts
Too much, too soon, too far to go, too late to play, the game is over
The game is over

So here I am once more in the playground of the broken heart
I'm losing on the swings, losing on the roundabouts, the game is over, over
Yet another emotional suicide overdosed on sentiment and pride
I'm losing on the swings, losing on the roundabouts, the game is over
Too late to say I love you, too late to re-stage the play
The game is over

I act the role in classic style of a martyr carved with twisted smile
To bleed the lyric for this song to write the rites to right my wrongs
An epitaph to a broken dream to exorcise this silent scream
A scream that's borne from sorrow

I never did write that love song, the words just never seemed to flow
Now sad in reflection did I gaze through perfection
And examine the shadows on the other side of the morning
And examine the shadows on the other side of mourning
Promised wedding now a wake

The fool escaped from paradise will look over his shoulder and cry
Sit and chew on daffodils and struggle to answer why?
As you grow up and leave the playground
Where you kissed your prince and found your frog
Remember the jester that showed you tears, the script for tears

So I'll hold our peace forever when you wear your bridal gown
In the silence of my shame the mute that sang the sirens' song
Has gone solo in the game, I've gone solo in the game
But the game is over
Can you still say you love me


marți, 3 aprilie 2018

Jimi Hendrix ( b22 )

Three days after the performance, Cox, who was suffering from severe paranoia after either taking LSD or being given it unknowingly, quit the tour and went to stay with his parents in Pennsylvania. Within days of Hendrix's arrival in England, he had spoken with Chas Chandler, Alan Douglas, and others about leaving his manager, Michael Jeffery. On September 16, Hendrix performed in public for the last time during an informal jam at Ronnie Scott's Jazz Club in Soho with Eric Burdon and his latest band, War. They began by playing a few of their recent hits, and after a brief intermission Hendrix joined them during "Mother Earth" and "Tobacco Road". His performance was uncharacteristically subdued; he quietly played backing guitar, and refrained from the histrionics that people had come to expect from him. He died less than 48 hours later.

Drugs and alcohol
In July 1962, after Hendrix was discharged from the U.S. Army, he entered a small club in Clarksville, Tennessee. Drawn in by live music, he stopped for a drink and ended up spending most of the $400 he had saved. He explained: "I went in this jazz joint and had a drink. I liked it and I stayed. People tell me I get foolish, good-natured sometimes. Anyway, I guess I felt real benevolent that day. I must have been handing out bills to anyone that asked me. I came out of that place with sixteen dollars left." According to the authors Steven Roby and Brad Schreiber: "Alcohol would later be the scourge of his existence, driving him to fits of pique, even rare bursts of atypical, physical violence."
While Roby and Schreiber assert that Hendrix first used LSD when he met Linda Keith in late 1966, according to the authors Harry Shapiro and Caesar Glebbeek, the earliest that Hendrix is known to have taken it was in June 1967, while attending the Monterey Pop Festival. According to Hendrix biographer Charles Cross, the subject of drugs came up one evening in 1966 at Keith's New York apartment; when one of Keith's friends offered Hendrix acid, a street name for lysergic acid diethylamide, Hendrix asked for LSD instead, showing what Cross described as "his naivete and his complete inexperience with psychedelics".

duminică, 1 aprilie 2018

Diverse ( 25 )


Eric Clapton ( b27 )

Political views

Clapton is a supporter of the Countryside Alliance which promotes issues relating to the British countryside. He has played in concerts to raise funds for the organisation and publicly opposed the Labour Party's ban on fox hunting with the 2004 Hunting Act. A spokesperson for Clapton said, "Eric supports the Countryside Alliance. He doesn't hunt himself, but does enjoy rural pursuits such as fishing and shooting sports. He supports the Alliance's pursuit to scrap the ban on the basis that he doesn't agree with the state's interference with people's private pursuits".

Controversy over remarks on immigration

On 5 August 1976, Clapton provoked an uproar and lingering controversy when he spoke out against increasing immigration during a concert in Birmingham. Visibly intoxicated, Clapton voiced his support of controversial political candidate Enoch Powell, and announced on stage that Britain was in danger of becoming a "black colony". Among other things, Clapton said "Keep Britain white!" which was at the time a National Front (NF) slogan. This incident, along with some controversial remarks made around the same time by David Bowie, as well as uses of Nazi-related imagery by Sid Vicious and Siouxsie Sioux, were the main catalysts for the creation of Rock Against Racism, with a concert on 30 April 1978.
In an interview from October 1976 with Sounds magazine, Clapton said that he was not a political person and that his rambling remarks that night were not appropriate. However, in a 2004 interview with Uncut, Clapton referred to Powell as "outrageously brave". He complained that the UK was "... inviting people in as cheap labour and then putting them in ghettos". In 2004, Clapton told an interviewer for Scotland on Sunday, "There's no way I could be a racist. It would make no sense". In his 2007 autobiography, Clapton called himself "deliberately oblivious to it all" and wrote, "I had never really understood or been directly affected by racial conflict ... when I listened to music, I was disinterested in where the players came from or what colour their skin was. Interesting, then, that 10 years later, I would be labelled a racist." In a December 2007 interview with Melvyn Bragg on The South Bank Show, Clapton reiterated his support for Enoch Powell and again denied that Powell's views were racist.