They were specialists in their field. Paul Thompson brought a lot, with his very powerful, earthy drumming."
Roxy Music was one of the first rock music groups to create and maintain a carefully crafted look and style that included their stage presentation, music videos, album and single cover designs, and promotional materials such as posters, handbills, cards and badges. They were assisted in this by a group of friends and associates who helped to sculpt the classic Roxy Music 'look', notably fashion designer Antony Price, hair stylist Keith Mainwaring, photographer Karl Stoecker, the group's "PR consultant" Simon Puxley (a former university friend of Mackay's) and Ferry's art school classmate Nicholas De Ville. Well-known critic Lester Bangs went so far as to say that Roxy represented "the triumph of artifice". Ferry later attributed the band's look to his interest in American music and popular culture icons including Marilyn Monroe, Motown and Stax Records artists. He also stated he wanted to create an alternative image to publicity shots of pop and rock groups at the time which would feature artists "in a dreary street, looking rather sullen. Which was the norm."
The band's self-titled debut album, produced by King Crimson's Pete Sinfield, was the first in a series of albums with increasingly sophisticated covers, with art direction by Ferry in collaboration with his friend Nick De Ville. The album artwork imitated the visual style of classic "girlie" and fashion magazines, featuring high-fashion shots of scantily clad models Amanda Lear, Marilyn Cole and Jerry Hall, each of whom had romances with Ferry during the time of their contributions, as well as model Kari-Ann Muller who appears on the cover of the first Roxy album but who was not otherwise involved with anyone in the band, and who later married Mick Jagger's brother Chris.