This would give the Pesnell-produced album a double release of singles to support a concert tour featuring the two bands. Though both bands liked the concept of the album and tour, the arguments included who would be side A and side B and which of the two would headline the upcoming concert tour.
The reformed John Kay and Steppenwolf line-up featured John Kay, Michael Palmer (guitars, backing vocals), Steve Palmer (drums, backing vocals), Danny Ironstone (keyboards, backing vocals), and Kurtis Teel on bass. The Palmer brothers had played in a group called Tall Water and had also been involved with Kay in his solo career playing live gigs in the late 1970s. Teel was replaced by Chad Peery and Ironstone by Brett Tuggle by 1981, and the new grouping released Live in London overseas. Tuggle was then displaced by Michael Wilk and a new studio album, Wolftracks, was released in 1982 on the small Attic (Nautilus in the U.S.) record label. Wolftracks was one of the earliest digitally recorded albums in the industry. It was recorded live on a two-track Sony digital recording system. Bassist Welton Gite, who appeared on this album, left shortly after its completion and was replaced by Gary Link, formerly with Dokken. Another album, Paradox, followed in 1984.
In December 1984 the band as it was disbanded and Kay and Wilk decided to continue on in early 1985 with a pared-down quartet composed of Kay, Wilk, Wilk's friend Ron Hurst (drums, backing vocals), and Rocket Ritchotte (guitars, backing vocals).Wilk also handled bass duties from his sequencing computer keyboards from then on. This line-up released Rock N' Roll Rebels (1987) and Rise & Shine (1990); these were on the Qwil and I.R.S. Records imprints, respectively. Ritchotte had departed temporarily in 1989 to be replaced by Les Dudek and then Steve Fister, but then returned in 1990 for three more years.
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