vineri, 25 decembrie 2020

Blood, Sweat & Tears ( B3 )

 

David Clayton-Thomas era

After Kooper left the group, Colomby and Katz began to look for a new vocalist, considering Alex Chilton (after the breakup of soul-rock group the Box Tops but before the formation of Big Star), Stephen Stills, and Laura Nyro. Ultimately, they decided upon David Clayton-Thomas, a Canadian singer, born in Surrey, England. Reportedly, folk singer Judy Collins had seen Clayton-Thomas perform at a New York City club and was so taken and moved by his performance that she told Colomby and Katz about him (knowing that they were looking for a new lead singer to front the band). With her prodding, they went to see Clayton-Thomas perform and were so impressed that he was offered the role of lead singer in a re-constituted Blood Sweat & Tears. Trombonist Halligan took up the organ chores and Jerry Hyman joined to take over trombone. With new trumpeters Soloff and Winfield the now nine-member band debuted at New York's Cafe Au Go Go on June 18, 1968, beginning a two-week residency.

Eponymous 1968 album Blood, Sweat & Tears

The group's second album, Blood, Sweat & Tears, was produced by James William Guercio and released in late 1968. It was more pop-oriented, featuring fewer compositions by the band. The record quickly hit the top of the charts, winning Album of the Year at the Grammy Awards over the Beatles' Abbey Road, among other nominees. Three hit singles were released from Blood, Sweat & Tears: a cover of Berry Gordy and Brenda Holloway's "You've Made Me So Very Happy", Clayton-Thomas' "Spinning Wheel", and a version of Nyro's "And When I Die". Each of these three #2 singles was on Billboard Magazine's Hot 100 chart for 13 weeks.

The commercial and critical acclaim enjoyed by the band in 1969 culminated in an appearance at Woodstock, in which the band enjoyed headliner status. The festival's film crew even caught the band's opening number, "More and More", as they took to the stage. But the band's manager at the time, Bennett Glotzer, ordered the movie crew to turn off the cameras and leave the stage since the band had not agreed nor been paid to be filmed.


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