The Byrds - I'll Feel a Whole Lot Better ( S1.2 )

Composition and content

The song dates from the Byrds' pre-fame residency at Ciro's nightclub in Los Angeles, as Clark explained during an interview: "There was a girlfriend I had known at the time, when we were playing at Ciro's. It was a weird time in my life because everything was changing so fast and I knew we were becoming popular. This girl was a funny girl, she was kind of a strange little girl and she started bothering me a lot. And I just wrote the song, 'I'm gonna feel a whole lot better when you're gone,' and that's all it was, but I wrote the whole song within a few minutes."

Byrds expert Tim Conners has called the song "the Platonic ideal of a Byrds song", in reference to the presence of some of the band's early musical trademarks, including Jim McGuinn's jangling 12-string Rickenbacker guitar; Chris Hillman's complex bass work; David Crosby's propulsive rhythm guitar, and the band's complex harmony singing and use of wordless "aaahhhh"s. Band biographer Johnny Rogan has also commented on the song's country-influenced guitar solo.

The song is built around a riff that Clark later admitted was based on the Searchers' cover of "Needles and Pins". Music critic Mark Deming has said that, lyrically, "I'll Feel a Whole Lot Better" takes a sardonic view of romance, with Clark undecided about whether to break off a relationship with a woman who hasn't been entirely honest with him. The song's refrain of "I'll probably feel a whole lot better when you're gone" betrays Clark's uncertainty about ending the relationship and whether such an act would be the answer to his problems or not.

Deming has also pointed out that the use of the word "probably" in this refrain is key and lends the track a depth of subtext that was unusual for a pop song in the mid-1960s. Jim Dickson, the Byrds' manager, has remarked that this level of subtext was not unusual in Clark's songs of the period

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